In a Monastery Garden: characteristic intermezzo
Back to list of
works index
There
are conflicting accounts of the origins of this piece, and when writing my own
liner notes I was not aware of all the details.
Here are four accounts:
1. From Franciscans Here and There no.34:
During Fr. Edgar's noviciate… a visit was made
to Chilworth in 1910 by Fr. Edgar's brother,
Joseph. The latter, as J.H. Larway, was a well-known music publisher… He brought with
him to Chilworth on this 1910 visit a man who was at
that time distinguished as a composer, conductor and musical editor: Albert Ketelbey… Joseph Larway and
Albert Ketelbey were taken round the friary and
grounds of Chilworth.
During the tour of the woods Ketelbey turned
to Joseph Larway and said "I've got an
idea. If I put it on paper, will you
publish it." The idea or
inspiration was In a Monastery Garden.
Between one thing and another some time elapsed
before the various parts were ready for publication… In 1915 Joseph Larway…
took out the copyright…
What was the surprise Fr. Edgar had in store for his guests at the 1959
Jubilee of his 50 years in the Order?
Notwithstanding the many moves a friar may have in 50 years Fr. Edgar
went up to his cell to bring down a remnant he had stored, and saved from the
wreck of many moves. It was the score of
the original MS of Ketelbey's In
a Monastery Garden…
Asked if he would mind this original score going into the archives of the Province, Fr. Edgar not only agreed, but agreed most willingly, and handed over the MS, which was once described in a musical review as "touching the hearts of millions of people"…
2. This account is included in the article In
a Monastery Garden, by Albert W. Ketelbey, in Music
Masterpieces Part 12 (18th March 1926), page 183:
It is highly necessary to feel what one writes, and also to have the
right kind of inspiration. When I was
writing In a Monastery Garden, one of my most popular compositions, I
was for the time being an imaginary monk, and as in my earlier days I had had
certain ascetic inclinations it was not difficult to get myself into a suitable
frame of mind.
The first inspiration to write the piece came to me during a visit to
Scarborough. I happened to drive over to Bridlington
one day, and on the way I visited a beautiful old
monastery. Its quietude and its
aloofness from the gaiety of the world at its doors seemed to cry aloud for
expression through the medium of the orchestra.
I had an idea, and when I returned home I set
to work to draw a musical picture of the scene as it had impressed itself upon
my mind - the chanting of the monks, the serenity and calm of the landscape,
and the emotional aspect generally.
I have always thought it a great compliment
that many clergymen have asked me to allow them to incorporate the
"chant" section of the piece into their church services.
3. The
following account was given in Radio Times (4th September 1931) page
203:
In a Monastery Garden was commissioned for
performance in a seaside resort. The idea for it came to the composer during a
visit to a monastery while out motoring.
At first no publisher would take it unless Ketélbey[sic]
removed the Kyrie section: but later a publisher bowed to Ketélbey's will, and it became, Kyrie and all, one
of the world's "best sellers".
4. Ketèlbey's
colleague, Herbert C. Ridout, has the following in Behind
the needle, 5: Looking over forty years of the gramophone (in The
Gramophone November 1940 page 132):
It was in October 1915 that we issued a record of a then unknown work
called In a Monastery Garden, and I think we must have been animated by
the wish to give our friend Albert Ketelbey's piece a
good send-off, because the coupling on the record was the more famous Destiny
waltz. But there soon came a time when Monastery
Garden stood quite well on its own merits, and became such a success that
it pointed out a distinct path for its composer to follow.
I know Albert Ketelbey would have prefered [sic] to be identified with the more serious music
he had composed and published (some of it under the nom-de-plume of
Anton Vodorinski) and, but for a purely accidental
happening in connection with his Monastery Garden, this might have well
been the case. The story really began
two years or so earlier and in a recording atmosphere, so it is quite apropos
here.
Among the members of the orchestra regularly
employed by Ketelbey for recording was a clarinet
player called Scoma.
In the summer months every year, when orchestral engagements in London
were at their lowest ebb, Scoma himself conducted an
orchestra of his own in Bridlington during the
holiday season. Being great friends with
Ketelbey, Scoma asked him
if he would write for him an original orchestral work that he could feature as
a novelty in his seaside programmes. That was in 1912. After paying a visit to Scoma
at Bridlington, Ketelbey
conceived the idea of In a Monastery Garden and passed the manuscript to
Scoma. The latter
soon began to report in excited letters that the little work not only aroused
enthusiasm when played, but that he was receiving enquiries as to its
publication. Scoma
repeated the performances the following season, and this time declared that he
had been pestered with requests for it in published form, rather shrewdly,
however, advising the composer against publication for the moment, urging
patience until it had been thoroughly tried out. He played it yet a third year at Bridlington, but this time news of its reception had
traveled to London independently, for Ketelbey was
approached by several London publishers anxious to secure it. Eventually J.H. Larway was the publisher chosen - at Ketelbey's
own terms!
Summary. There appear to have been two pre-publication
versions. The piano manuscript was with
Edgar Larway at Chilworth,
while the orchestral parts were with Enrico Scoma at
Bridlington. Even after publication,
there is one difference of harmony between the two versions that makes them
incompatible.
What
none of these accounts mentions is that the first appearance of In a
Monastery Garden nationwide was as the recording on Regal records. This appeared in the Regal catalogue for May
1914, the year before the publication of the sheet music. This first recording uses a different
orchestration from the published one, and has details closer to the piano
version.
Composer’s
synopsis
The first theme represents a poet's reverie in
the quietude of the monastery garden amidst beatific surroundings - the calm
serene atmosphere - the leafy trees, and the singing birds. The second theme in the minor, expresses the
more "personal" note of sadness, of appeal and contrition. Presently the monks are heard chanting the
Kyrie Eleison (which should be sung by the orchestra) with the organ playing
and the chapel-bell ringing. The first
theme is now heard in a quieter manner as if it had become more ethereal and
distant; the singing of the monks is again heard - it becomes louder and more
insistent, bringing the piece to a conclusion in a glow of exaltation.
Song versions. Ketèlbey
wrote his own lyrics for a song version published in 1921, which was later
adapted for various choral versions. Two
of his recordings incorporate the song into the orchestral version. The lyrics set the scene at sunset, an
unusual time of day for the monks to be singing the Kyrie of a mass.
Through the misty twilight
falling,
Voices from afar are calling –
Calling all the weary homeward to their
rest,
The evening bell is softly pealing
While from out the cloister
stealing,
Comes the prayer of mercy, peaceful and so
blest.
KYRIE ELEISON.
Hope will bring to us its
gladness,
Faith shall take away all sadness,
While the gates of day are closing in the
West;
Joy will come again with morning,
Shadows pass, but love is dawning,
God is Love, and gives us all Eternal
Rest.
KYRIE ELEISON.
IMG Orch 1927. Odeon SOE 3565 is indeed re-issue. Grand orchestra symphonique "Odéon" avec choeurs.
In a Monastery Garden
- orchestral
Artists |
Label |
Matrix |
Format |
Country |
Date |
Gramophone Review |
Locations |
|
Regal
Orchestra, male chorus, ?Ketèlbey |
28803 |
10”
78 |
UK |
[May
14] |
BL,
TM, (TM CD) |
|||
Re-issue “In een
kloostertuin, met zingende
monniken enz.” |
- Columbia D 8972 |
28803 |
10”
78 |
UK |
|
|
|
|
Court
Symphony Orchestra, male chorus, Ketèlbey |
Columbia
564 |
6525-3 |
12”
78 |
UK |
[Sept
15] |
BL,
(TM CD) |
||
Re-issue |
- Columbia 5067-M |
|
12” 78 |
US |
||||
Columbia Symphony Orchestra, Fagan (whistler), male chorus |
Columbia A 5952 |
49063 |
12” 78 |
US |
[June
17] rec.Jan 17 |
|
BL, WC |
|
Re-issue
(“orchestra, male quartet”) |
- Nations Forum 49063 |
49063 |
12” 78 |
|
[ca.1920] |
|
WC |
|
Lyric
Symphony Orchestra |
Lyric
9102 |
|
12” 78 |
US |
[Dec
17?] |
|||
Mayfair
Orchestra, ?Byng |
HMV
2-558 |
HO
3789ae |
10”
78 single sided |
UK |
(TM
CD) |
|||
Re-issue |
10”
78 |
UK |
[Feb
18] |
BL |
||||
Hager's Concert Orchestra, Fagan (whistler), Gounod
Quartette (vocal) |
Okeh 4342 |
S 7811 B |
10” 78 |
US |
[1921]
rec. Mar 21 |
|
||
Re-issue (Hager’s Orchestra/Bohemian
Orchestra) |
-
Parlophone E 5140 |
S 7811 B, 4342 |
10”
78 |
UK |
[Feb
24] |
|
|
|
Re-issue |
- Apex 4342 |
S 7811 B |
10” 78 |
Canada |
|
|||
His
Master’s Voice Orchestra & Chorus (male quartet), Miro |
HMV
216224 |
216224A 11C |
10” 78 |
Canada |
[Jan
21] |
WC |
||
Domenico
Savino and his Symphony Orchestra |
Pathé 20502 |
69096 |
10½”
78 |
US |
[June
21] rec.Jan 21 |
|||
Re-issue
(Scala Salon Orchestra) |
- Scala-Ideal 408 |
69096 |
10”
78 |
UK |
[Nov 21] |
|
|
|
Re-issue (Pathé
Symphony Orchestra) |
-
Pathé 1457 |
? |
10” 78 |
|
[Jan
22] |
|||
Re-issue |
-
Actuelle 10549 |
N 69096 |
10” 78 |
|
[Dec
23] |
BL |
||
Gennett Symphony Orchestra, Floridia |
Gennett 4725 |
7499
B |
10” 78 |
US |
[July
21] rec.Aug 21 |
WC |
||
Re-issue |
-
Gennett 9132 |
|
US |
|||||
Re-issue (Champion Symphony Orchestra) |
-
Champion 15168 |
G 07499 |
10” 78 |
US |
[1921]
|
|
|
|
Victor
Concert Orchestra, male chorus, Bourdon |
Victor
35710 |
A
25387 |
12” 78 |
US |
[Oct
21] rec.July 21 |
WC |
||
Re-issue |
- Columbia A 3517 |
A
25387 |
12”
78 |
US |
[1921] |
|
|
|
Re-issue (Mayfair Orchestra) |
-
HMV C 1045 |
12”
78 |
UK |
[Mar
22] |
BL,PD |
|||
Re-issue |
-
HMV S 8142 |
|
12” 78 |
Italy |
[May
22] |
|||
Re-issue |
- Gramophone 30655 |
A
25387 |
12”
78 |
|
|
|
|
|
Peerless
Orchestra, male chorus |
Edison
50812 |
7868
|
10” 78 |
US |
[Nov
21] rec.Mar 21 |
WC |
||
Re-issue |
- Edison 4985 |
cylinder |
US |
[Aug 25] |
||||
?
unknown details |
Anker
|
? |
10”
78 |
Germany |
? |
|
|
|
Re-issue (Belle Vue Concert Orchestra) |
-
Coliseum 1460 |
0611, 07137 |
10” 78 |
UK |
[Mar
22] |
|||
Metropolitan
Symphony Orchestra, New Stellar Quartet |
Banner
2036 |
0951-3 |
10” 78 |
US |
[June
22] rec.Nov 21 |
|||
Re-issue |
-
Regal 9363 |
951 |
10”
78 |
US |
[Oct
22] |
|||
Re-issue |
-
Apex 8081 |
|
10” 78 |
Canada |
[1923] |
WC |
||
Re-issue (New Steller Quartet) |
- Famous 5054-A |
951 |
10”
78 |
|
|
|
|
|
Capitol
Grand Orchestra, Rapée |
Brunswick
2368 |
9527 |
10” 78 |
US |
[Mar
23] rec.Dec 22 |
BL |
||
Re-issue |
- Brunswick A 361 |
9527 |
10”
78 |
Germany |
|
|
|
|
Grosvenor
Orchestra |
Aco G 15216 |
C 5735 |
10” 78 |
|
[Aug
23] |
|||
?Re-issue (Guardsman
Orchestra) |
-
Guardsman 1357 |
G 315 |
10”
78 |
UK |
[ca
Apr 24] |
|
|
|
?Re-issue (Sutherland Orchestra) |
-
Beltona 209 |
00221 |
10” 78 |
|
|
cat.1926 |
|
|
Re-issue (Sutherland Orchestra) |
-
Beltona 829 |
C 5735 |
10” 78 |
|
[Oct
25] |
Nov
25 p.296 |
||
Edith
Lorand Orchestra |
Parlophon/Lindström P 1648 |
2-6679-2 |
12”
78 |
Germany |
[Mar
24] |
WC |
||
Re-issue |
-
Parlophone E 10116 |
6679 |
12” 78 |
UK |
[May
24 |
|||
Homocord String Orchestra, alto?,
male chorus, organ |
Homochord HD 540 |
17200 |
10” 78 |
UK |
[Mar
24] |
BL |
||
Re-issue (Gamage String Orchestra) |
-
Gamage G 659 |
17200 |
10” 78 |
|
? |
|
|
|
Metropolitan
Opera House Orchestra (Aelioan
Symphony Orchestra), male chorus, Papi |
Vocalion 35038 |
Ny 13028 |
12” 78 |
US |
[July
24] |
|||
-
Sutherland Orchestra |
-
Beltona 5013 |
Ny 13028 |
12” 78 |
|
[Dec
24] |
BL |
||
-
Albany Symphony Orchestra |
-
Aco F 33072 |
Ny 13028 |
12” 78 |
UK |
[Jan
25] |
Mar
25 p.389 |
||
Court
Symphony Orchestra, chorus, Ketèlbey |
Columbia
564 |
6525-4 |
10”
78 |
UK |
[Oct
24] |
?BL |
||
Re-issue |
- Columbia 5067-M |
10” 78 |
US |
|||||
Warwick
Orchestra |
Duophone A 1004 |
? |
12”
78 |
|
[1925?] |
|
|
|
Corinthian
Orchestra |
Ludgate
2902 |
? |
10”
78 |
UK |
[1926?] |
|
|
|
Jack
Hylton and his Orchestra |
HMV |
? |
UK |
rec.July 26, not issued |
||||
Court
Symphony Orchestra, chorus, [cond. Leggett] |
Columbia
564R |
WAX
1679-1 |
10”
78 |
UK |
[Sept
26] |
BL,
(TM CD) |
||
Re-issue |
-
Columbia 5067-M |
?AX 1676 |
10”
78 |
|
[1927] |
|
WC |
|
Victor
Concert Orchestra, male chorus, Bourdon |
Victor
20186 |
CVE 35842-3 |
12” 78 |
US |
[1926]
rec.Aug 26 |
|||
Re-issue |
-
Victor 20186 |
BVE 35843 |
10”
78 |
US |
|
|
|
|
Re-issue? (Victor Concert Orchestra, Bourdon) |
-
Victor 35808 |
35808A VE 3 |
12”
78 |
US |
[Feb
27] |
|
WC |
|
Re-issue? (Victor
Symphony Orchestra) |
-
Gramófono AF 205 |
A 35842/5-0502 |
12”
78 |
Spain |
|
|
WC |
|
Re-issue
(New Light Symphony Orchestra, Bourdon) |
-
HMV C 1397 |
A 35842/5-0502 |
12”
78 |
|
[Oct
27] |
|
BL |
|
Re-issue |
-
Zonophone A 3517 |
|
12”
78 |
Australia |
|
|
|
|
Re-issue |
-
Gramophone AN 99 |
|
12”
78 |
Czechoslovakia |
|
|
|
|
Re-issue |
-
RCA Victor 216501 |
216501A |
10”
78 |
Canada |
? |
|
|
|
Frank
Westfield's Orchestra |
Parlophone E 5727 |
1082-2 |
10” 78 |
UK |
[Mar
27] |
WC |
||
Re-issue
(Ariel Concert Orchestra) |
-
Ariel Z 4235 |
1082-2 |
10” 78 |
UK |
|
|
|
|
Regal
Orchestra, Raybould |
Regal
G 6688R |
WA
5601-2 |
10”
78 |
UK |
rr.31.5.27 |
|||
Royal
Artillery Band (strings), Stretton |
Velvet
Face 719 |
? |
12” 78 |
UK |
[Aug
27] |
|||
Odeon
Künstler Orchestra, male chorus |
Odeon
O 6529 |
xxB 7827 |
12”
78 |
Germany |
[Nov
27] |
|
|
|
Re-issue |
-
Columbia G-50077-D |
|
|
|
|
|
WC |
|
Re-issue (Grand Orchestre Symphonique Odéon avec choeurs) |
-
Odéon 170060 |
xxB 7827 |
12”
78 |
France |
[1927] |
|
WC |
|
Re-issue (Grosses
Odeon-(Künstler-)Orchester/Dajos Bela Salonmusik) |
- Odeon O 6562 |
xxB 7827 |
12”
78 |
Germany |
[Nov 27] |
MMU, cat.1928 |
WC |
|
Re-issue (Gran Orquesta Odeón (Berlin)) |
- Odeón
173100 |
xxB 7827 |
12”
78 |
Spain |
1930] |
|
WC |
|
Re-issue (Grande Orchestra Odeon) |
- Odeon R 9197 |
xxB 7827 |
10” 78 |
Italy |
|
|
|
|
Re-issue (Grosses
Odeon-Künstler-Orchester) |
- Odeon O 11689 |
Be 9940-0 |
10” 78 |
Germany |
[May 32] |
cat.1932 |
WC |
|
Re-issue |
- Lindström B 47311 |
Be 9940-0 |
10” 78 |
Germany |
|
|
WC |
|
Re-issue (Grosses Odeon-Künstler-Orchester) |
- A 161218 |
Be 9940-0 |
10” 78 |
Austria |
|
|
WC |
|
Re-issue |
- Odéon 250307 |
BE 9940 |
10” 78 |
France |
[1947] |
|
WC |
|
Re-issue (Grand Orchestre Odéon, Chœur d’Odéon/Grand orchestra symphonique
"Odéon" avec choeurs) |
- Odéon SOE 3565 |
|
EP |
France |
[1960] |
|
WC |
|
Re-issue |
- Odéon XOC 1019 |
|
LP |
France |
[1963] |
|
WC |
|
Re-issue |
- Versailles VER 34007 |
|
LP |
France |
? |
|
WC |
|
Grosses
Parlophon Streich-Orchestra,
male chorus, Dobrindt |
Parlophon/Lindström P 9176 |
2-20439 |
12” 78 |
Germany |
[Nov
27] |
MMU |
WC |
|
Re-issue (Grand Symphony Orchestra) |
- Parlophone A 4000 |
20439 |
12”
78 |
Australia |
[1928] |
|
|
|
Re-issue (Das Orchester
der Staatsoper Berlin) |
- Odeon NLX-8, 290678 |
2-20439 |
12”
78 |
Norway |
|
|
|
|
Re-issue (Grand
Symphony Orchestra) |
-
Parlophone E 10646 |
2-20439 |
12” 78 |
UK |
Jan
28 p.340 |
BL |
||
Re-issue (Grand orchestre symphonique
avec choeurs) |
-
Parlophone 52017 |
20439 |
10”
78 |
France |
[1930] |
|
|
|
Symphony
Orchestra, Chapple |
Broadcast
109 |
Z
33 |
8”
78 |
UK |
[1927] |
|
BL |
|
Re-issue? |
-
Broadcast 1066 |
|
8”
78 |
France |
? |
|
WC |
|
Re-issue? |
-
Broadcast B 1001 |
|
78 |
France |
? |
|
WC |
|
Re-issue (“orchestra, cinema organ”) |
- Orchestrola 0102 |
Z
33 |
8”
78 |
Germany |
? |
MMU |
WC |
|
Brunswick
Concert Orchestra, vocal quartet, Walter B. Rogers |
Brunswick
20067 |
XE 27371 |
12”
78 |
US |
rec.Apr 28 |
|
BL,
WC |
|
Re-issue |
-
Brunswick A 5055 |
XE 27371 |
12”
78 |
Germany |
? |
MMU |
WC |
|
Edison
Concert Orchestra (Giammatteo’s
Orchestra)
male chorus, Schloss |
Edison
52403R |
N 326 |
12”
78 |
US |
[Nov
28] rec.July 28 |
|
|
|
Recorded simultaneously |
-
Edison 52403R |
18614 |
10”
78 |
US |
[Nov
28] |
|
|
|
Sterno
String Orchestra |
Sterno 240 |
? |
10” 78 |
UK |
[1928?] |
|
|
|
Albert
W. Ketelbey’s Concert Orchestra, Nellie Walker (c),
chorus, Ketelbey (original label omits Walker) |
WAX
3107-2, 3108-2 |
12”
78, 2 sides |
UK |
[July
28] rec.Nov 27 |
July
28 p.61 |
BL, PD, TM, (TM CAS) |
||
Re-issue |
- Columbia Cinema Sercvice YBX 11 |
WAXD 25 |
12” 33 |
UK |
[Feb 31] |
|||
Re-issue |
-
Evergreen Melodies C 62 |
CD |
UK |
[1999] |
excerpt
only |
PD,
TM |
||
Re-issue |
-
Naxos 8.110870 |
CD |
UK |
2004 |
BL,
NX, PD, TM |
|||
Re-issue used in Sir Clifford Curzon’s "Desert Island Discs" |
- Decca 074 3186 |
|
CD |
UK |
2007 |
|
(TM
CAS) |
|
(Salon-Orchestra) |
Artiphon 03138 |
3138 |
10” 78 |
Germany |
[1929] |
MMU |
WC |
|
Re-issue Orchestre
de Salon Artiphone |
-
Artiphone A 116 |
|
10” 78 |
France |
|
WC |
||
George
Cathie & his Victory Orchestra, chorus
effects |
Victory
50 |
DC 581 |
7” 78 |
UK |
rec.Nov.28 |
|
|
|
Brunswick Orchestra.
"Brunswick Brevities, program N/5" |
Brunswick, radio transcription
disc |
XE 31161 |
12” 78 |
US |
rec.9 Oct 29 |
|
|
|
Brunswick Orchestra.
"Brunswick Brevities" |
Brunswick, radio
transcription disc |
XE 31671 |
12” 78 |
US |
rec.Dec 29 |
|
|
|
Fred Kitchen & his Astoria Cinema Orchestra |
Dominion A 47 |
1029 |
8” 78 |
|
[Jan 29] |
Feb 29 p.408 |
||
(Streich-Orchester) [Orchester Otto Dobrindt] |
Derby 5641/G 5641/DO 5641 |
LB
257 |
8” 78 |
Germany |
[1929] rec.Aug 29 |
MMU |
|
|
Homocord-Orkester,
alto solo, chorus, organ |
Homocord 3268 |
C
1674D, 1675D |
12”
78, 2 sides |
Germany |
[1929] |
MMU |
WC |
|
Re-issue |
- Homocord Sv.
4-16000 |
TC 1674, 1675 |
10”
78, 2 sides |
Sweden |
[Aug 29] |
|
|
|
Eddie
Cole, Gandino [Mantovani]
and his Orchestra, male chorus, harmonium |
5331-2 |
10” 78 |
UK |
[Jan
30] |
Feb 30 p.419 |
BL,
(TM CD) |
||
Re-issue |
- Cristal 5117 |
5331-2 |
10”
78 |
|
|
|
|
|
orchestra,
William Daly |
Speak-o-Phone |
? |
12”
78 |
|
rec.1931 |
|
WC |
|
String
Orchestra, chorus, organ (Madame Tussaud’s Cinema) |
Broadcast
Twelve 5206 |
L
0786 |
10”
78 |
UK |
[Jan
31] |
Feb
31 p.448 |
BL |
|
Westminster
Light Symphony Orchestra, (Dempsey says cond
Ivy or Hartley) |
GA
3287-2 (or GB 3282-2?) |
12” 78 |
UK |
[Nov
31] |
Nov
31 p.227 |
BL,
TM, (TM CD) |
||
Re-issue |
-
Decca 25641 |
|
12”
78 |
US |
|
|
WC |
|
Musical
Dawson's Famous Chorus of Canaries, orchestra |
Broadcast
888 |
213 |
9”
78 |
UK |
Oct
32 p.182 |
BL,
(TM CD) |
||
orchestra, Godfroy Andolfi |
Pathé X 96282 |
? |
10” 78 |
France |
[1933] |
|
WC |
|
Commodore
Grand Orchestra, male chorus, Muscant |
Broadcast
Super Twelve 3284 |
1274
XX |
10”
78 |
UK |
[Mar
33] |
Mar
33 p.404 |
BL |
|
Commodore Grand Orchestra, male chorus, organ, Muscant |
Regal
MR 1239 |
CAR 2478, 2479 |
10”
78, 2 sides |
UK |
[Apr
34] |
Apr
34 p.444 |
BL |
|
Re-issue |
- Regal Zonophone
G22071 |
CAR 2478-2, 2479-1 |
10”
78, 2 sides |
Australia |
|
|
|
|
Emil Velazco
& his Organ Melodists, “fox-trot” |
Columbia 2864 D |
W 142583 |
10”
78 |
US |
rec.Dec 33 |
|
|
|
orchestra, chorus,
Kostelanetz |
Andre Kostelanetz
Collection |
private collection |
Tape |
US |
rec.25th
Nov 36 |
|
WC |
|
Albert
W. Ketelbey and his Concert Orchestra, tenor, male chorus, Ketèlbey |
Decca
F 7615 |
DR
4752-1 |
10”
78 |
UK |
[Nov
40] |
Dec
40 p.154-5 |
BL,
(TM CD) |
|
CBC Orchestra & Chorus,
Kostelanetz |
Andre Kostelanetz
Collection |
private collection |
CD |
US |
rec.June 41 |
|
WC |
|
Columbia Salon Orchestra, Palitz |
Columbia 36234 |
B 25210/B25329 |
10” 78 |
US |
[1939] rec.Aug 39 |
|
|
|
Re-issue (Brunswick Salon Orchestra) |
Brunswick 8482 |
25210 |
78 |
US |
[1939] |
|
|
|
Harry Sosnik & his Orchestra, “fox-trot” |
Decca 4089 |
69932 |
10” 78 |
US |
[1942] rec.Nov 41 |
|
WC |
|
orchestra, Kostelanetz |
Andre Kostelanetz
Collection |
private collection |
CAS |
US |
rec.10th Jan 46 |
|
WC |
|
André Kostelanetz and his Orchestra |
Columbia 7522-M or 7523-M |
XCO 36848 |
12” 78 |
US |
[1947] rec.Sep 46 |
WC |
||
Re-issue |
- Columbia DX 1482 |
XCO 36848-A |
12” 78 |
|
[May 48] |
May 48 p.190 |
BL,
PD |
|
Re-issue |
- Columbia MM 681 |
|
12” 78 |
France |
? |
|
WC |
|
Re-issue |
- Regal M 10038 |
XCO 36848 |
12” 78 |
Spain |
[1952] |
|
WC |
|
Re-issue |
- Columbia 44779 |
|
EP |
|
|
|
WC |
|
Re-issue |
- Columbia A 681 |
|
EP |
US |
|
|
WC |
|
Re-issue |
- Columbia CL 791 |
LP |
US |
[1955?] |
Library
of Congress |
|||
Re-issue |
- Columbia L 4151 |
LP |
Argentina |
[1961] |
|
WC |
||
Re-issue |
- Columbia Masterworks LPCB
32104 |
|
LP |
Brazil |
|
|
|
|
Re-issue |
- Columbia ML 4065 |
|
LP |
US |
|
|
|
|
New
Promenade Orchestra, Wardour Singers, Robertson |
London
R 10019 |
? |
10”
78 |
US |
[1948?] |
Library
of Congress |
||
Re-issue |
- Decca BEP 6086 |
|
EP |
Spain |
1962 |
|
TM |
|
Melachrino Strings, chorus, Melachrino |
HMV
B 9714 |
OEA 13466-2 |
10”
78 |
UK |
[Jan
49] |
Jan
49 p.135 |
BL |
|
Re-issue |
-
RCA Victor 82 5285 |
OEA 13468 |
10”
78 |
Brazil |
|
|
|
|
Re-issue |
-
Victor EPB 1004 |
EP |
US |
|
|
WC |
||
New
Symphony Orchestra of London, Robinson |
Decca
LK 4080 |
LP |
UK |
[June
54] |
July
54 p.73, Mar
55 p.464-465 |
BL |
||
Re-issue |
- Decca LW 5120 |
10”
LP |
UK |
[Aug 54 |
PD |
|||
Re-issue |
- Decca 6835 654 |
|
LP |
Netherlands |
1960 |
|
|
|
Re-issue |
-
Ace of Clubs 1044 |
|
LP |
UK |
[1961] |
|
BL,
(TM CD) |
|
Re-issue |
-
Eclipse ECS(+ECM) 2016 |
LP |
UK |
1969 |
Feb
70 p.1332 |
BL,
PD, TM |
||
Re-issue |
-
Decca DDX 190039 |
|
LP |
Netherlands |
1969 |
|
|
|
Re-issue |
-
Decca NUX 390044 |
|
LP |
Netherlands |
1969 |
|
|
|
Re-issue |
- Decca 220014 |
|
LP |
France |
1969 |
|
|
|
Re-issue |
- London
ECL 105 |
|
LP |
Brazil |
1977 |
|
|
|
Re-issue |
- London LL
985 |
|
LP |
US |
|
|
||
Re-issue |
- London
LLC 5047 |
|
LP |
Brazil |
|
|
||
Re-issue |
- Richmond B 20083 |
|
LP |
US |
|
|
|
|
Re-issue |
-
Guild GLCD 5182 |
|
CD |
UK |
Nov
2011 |
LMS Spring 12 |
|
|
Rochester
Pops Orchestra, Gould |
Columbia
CL 560 |
|
10”
LP |
US |
[1954] |
|||
Re-issue |
-
Columbia AL 47 |
|
10”
LP |
US |
[1954] |
|
|
|
Re-issue |
-
Columbia 1854 |
|
EP |
US |
[1954] |
|
|
|
Re-issue |
-
Columbia B 4253/5-1977 |
|
SP |
US |
[1954] |
|
|
|
Re-issue |
-
Philips NBE 11045, 409517 NE |
EP |
UK |
cat.Oct 56 |
Nov
56 p.226 |
BL |
||
Re-issue |
-
Philips SBF 174 |
SP |
UK |
Nov
59 p.251 |
||||
Re-issue |
-
Philips GO 6605R |
|
10” LP |
France |
[1959] |
|
WC |
|
Re-issue |
- Columbia Masterworks LPCB
27003 |
|
10” LP |
Brazil |
|
|
|
|
Re-issue |
-
Coronet KLL 002 |
|
10” LP |
Australia |
|
|
|
|
Wilhelm
Stephan mit seinem grossen Konzertorchester |
Deutsches Grammophon 79376 |
5998
LHN |
10”
78 |
Germany |
? |
|
WC |
|
Re-issue
ペルシャの市場 |
- Polydor DP 1016 |
|
EP |
Japan |
|
|
PD |
|
Eric Robinson Orchestra/"Music for
You" Concert Orchestra, Robinson (arr.
Wilkinson) |
Argo RG 40 |
LP |
UK |
[1955] |
Mar 55 p.464 |
BL, (TM
CAS) |
||
Re-issue |
- Westminster WP 6002/WN
1087/RG 11 |
|
LP |
US |
[1955] |
|
|
|
Heinrich Riethmüller (Polychord-Konzertorgel), seine Instrumentalsoloiten
[Orchester des Bayerischen Rundfunks], chorus, [cond. Schmidt-Boelke] |
Opera 3116 |
|
10” LP |
Germany |
[1956] |
|
Pfälzische Landesbibliothek |
|
Wal Berg & son Grand Orchestre, Choeurs Louis
Volleman (arr.Walberg) |
Voix de son maître 7EGF 162 |
SP |
France |
[1956] |
|
WC |
||
Re-issue |
- Voce del padrone 7EPQ 591 |
|
SP |
Italy |
[1958] |
|
|
|
Re-issue |
- Voz de su amo 7ERL1134 |
|
SP |
Spain |
[1958] |
|
WC |
|
Re-issue |
- Barclay BB42, B 11897 |
|
LP |
France |
[1960] |
|
WC |
|
Re-issue (Wal Berg & son Grand Jazz Symphonique) |
- Trianon 4555 ETS |
|
SP |
France |
|
|
WC |
|
Re-issue |
- Trianon 5336 TRS |
|
10” LP |
France |
[1963/4] |
|
WC |
|
Gran
Orquesta Sinfónica
(Madrid), Etcheverry |
Philips
432607 AE |
|
EP |
Spain |
[1956?] |
|
WC,
PD |
|
Re-issue |
-
Fontana CFE 15006 |
|
EP |
UK |
]1958] |
July
58 p.78 |
BL |
|
Re-issue |
-
Epic NEP 5068 |
|
EP |
Japan |
[1958] |
|
|
|
Re-issue |
-
Pergola 10089 C |
|
EP |
Spain |
[1967] |
|
|
|
Re-issue |
-
Philips 313189 SF |
|
EP |
Germany |
[1977] |
|
WC |
|
Vienna
State Opera Orchestra, Aliberti (with
new introduction) |
Westminster
WP 6082 |
|
LP |
US |
[1958]
rec.June 57 |
|
(TM
CD) |
|
Re-issue |
-
Westminster WGWS 18071 |
|
LP |
Australia |
1958 |
|
|
|
Re-issue |
- Westminster WTP 132 |
|
4-track
tape |
Us |
1960 |
|
|
|
Re-issue |
-
Westminster WST 15005 |
|
LP |
|
|
WC |
||
Re-issue |
-
World Record Club TP 359 |
|
LP |
UK |
1963 |
|
BL,
PD |
|
Re-issue |
- Clave
18-1246 S |
|
LP |
Spain |
1971 |
|
|
|
Re-issue Orquesta sinfónica de
Baviera, Jenssen |
- Dial Discos/Nevada ND 501312 |
|
LP |
Spain |
1978 |
|
WC, TM |
|
Re-issue Orquesta sinfónica de Baviera, Jenssen |
- Dial Discos NC 501312 |
|
CAS |
Spain |
[1978] |
|
WC |
|
Re-issue |
-
Westminster WGS 8139 |
|
LP |
US |
1981 |
|
TM |
|
Re-issue
Orquesta sinfónica de Baviera, Jenssen |
- Dial Discos/Doblon 102048 |
|
CAS |
Spain |
[1986] |
|
WC |
|
Re-issue Orquesta sinfónica de Baviera, Jenssen |
-
Dial 960139
|
|
CD |
Spain |
1991 |
|
WC |
|
Re-issue |
- Westminster IWA 930558 |
|
LP |
Japan |
|
|
|
|
Re-issue |
- Voix de son maître 2CO 59392502 |
|
LP |
France
|
|
|
WC |
|
Re-issue |
- World Record Club S 4743 |
|
LP |
Australia |
|
|
|
|
Re-issue |
- Voix de son maître C 24592502 |
|
CAS |
France |
|
|
WC |
|
Embassy Light Orchestra, Hale |
Embassy WEP 1009 |
|
EP |
UK |
[1958] |
|
|
|
Re-issue
(Light Orchestra,
Hale) |
- Cupol CEP 192 |
|
EP |
|
? |
|
WC |
|
Re-issue |
- Prestige PEP 2013 |
|
EP |
New Zealand |
|
|
|
|
Orchestre du Théâtre des Champs-Elysées, Bonneau |
Ducretet-Thomson 470 C019 |
|
SP |
France |
[1958][1955?] |
|
WC |
|
Re-issue (Coros líricos de París) |
- Telefunken TFJ 23001 |
|
SP |
Spain |
[1958] |
|
WC |
|
Re-issue |
- Ducretet-Thomson D/E 3 |
|
SP |
Spain |
[1962] |
|
|
|
Re-issue |
- Ducretet-Thomson KLTC 78 |
|
SP |
Italy |
[1965] |
|
|
|
Re-issue |
- Ducretet-Thomson DEPA 77002 |
|
SP |
Portugal |
|
|
|
|
Re-issue |
- Telefunken UX 4720 |
|
EP |
Norway |
|
|
|
|
New
Symphony Orchestra of London, chorus, organ, Sharples |
Decca
SKL 4077, LK 4329 |
|
LP |
UK |
[1959] |
Feb
60 p.434 |
BL,
PD |
|
Re-issue |
- London CM. 9041 |
|
LP |
Canada |
[1959] |
|
|
|
Re-issue |
- London LL 3141 |
|
LP |
US |
[1959] |
|
|
|
Re-issue |
- London PS 186 |
|
LP |
US |
[1959] |
|
|
|
Re-issue |
- Axis 6326 |
|
LP |
Australia |
[1959] |
|
|
|
Re-issue |
- Decca DFE 6613 |
|
EP |
UK |
[1959/1960] |
Feb 60 p.434 |
BL |
|
Re-issue |
- Decca STO 126 |
|
EP |
UK |
[1960] |
Feb 60 p.434 |
BL,
PD |
|
Re-issue |
- Decca SDGE 71246 |
|
EP |
Spain |
[1960] |
|
WC |
|
Re-issue |
-
Decca SDX 2127 |
|
SP |
Germany |
|
|
|
|
Re-issue |
-
Decca OP 6056 |
|
SP |
Italy |
|
|
|
|
Re-issue |
- London LS 5009 |
|
EP |
Japan |
|
|
|
|
Re-issue |
-
Decca LXT 4329 |
|
LP |
Spain |
[1960] |
|
WC |
|
Re-issue |
-
Decca SKC 4077 |
|
LP/CAS |
Spain |
[1969] |
|
WC |
|
Re-issue |
- Decca SPA 187 |
|
LP |
UK |
1971 |
July 72 p.253 |
BL,
PD |
|
Re-issue |
- London SPA 4036 |
|
LP |
Canada |
1971 |
|
|
|
Re-issue |
- Decca SPL 3046 |
|
LP |
South
Africa |
1977 |
|
|
|
Re-issue |
- Decca 65 94 156 |
|
LP |
Spain |
1981 |
|
|
|
Re-issue |
- Decca LPD 253 Y |
|
LP |
Belgium |
|
|
|
|
Re-issue |
- Westminster WGS 8139 |
|
LP |
Brazil |
|
|
|
|
Re-issue |
-
Decca 841203 |
|
CAS |
Spain |
1982 |
|
WC |
|
Re-issue |
-
Decca 452987-2 DWO |
CD |
UK |
1997 |
Nov 97 p.48, Oct 12 p.109 |
BL,
PD, TM |
||
Re-issue |
-
Vocalion CDLF 8143 |
CD |
|
[2011] |
LMS Aut
11 |
PD |
||
Re-issue |
-
Memory Lane “Yes M’Lud” |
|
CD |
UK |
2012 |
|
|
|
Re-issue |
-
Memory Lane “Countryfile” |
|
mp3 |
UK |
2014 |
|
|
|
Re-issue |
-
Memory Lane “Yesterday’s Britain” |
|
mp3 |
UK |
2014 |
|
|
|
Medallion
Concert Band, Hermann |
Medallion
MS-7501 |
|
LP |
US |
1960 |
|
|
|
Re-issue |
-
London HAR 2274, SAH-R 6093 |
|
LP |
UK |
1960 |
Oct
60 p.242 |
BL,
WC |
|
Re-issue |
-
Hae Shan SHS 1042 |
|
LP |
Taiwan |
|
|
|
|
Orchestre symphonique,
Amati |
Orphée 150012 |
|
SP |
France |
[1962] |
|
WC |
|
Re-issue |
- Pacific 150012 |
|
SP |
Germany |
[1962] |
|
|
|
Re-issue |
- Belter 16084 |
|
EP |
Spain |
[1964] |
|
|
|
Re-issue |
- Belter 33085 |
|
LP |
Spain |
[1966] |
|
|
|
Re-issue (Orchestre
symphonique de Vienne) |
- Mondio
Music MMC 1011 |
|
LP |
France |
1970 |
|
|
|
Orchestre symphonique, Killer |
Vega V45 P2190 |
|
SP |
France |
[1962] |
|
WC |
|
Orchestre symphonique,
chorus (?reissue of Killer above) |
Vega
45 VJ 411 |
|
SP |
France |
[1963] |
|
WC |
|
Re-issue |
- Vega 5570 |
|
EP |
France |
[1964] |
|
|
|
Re-issue |
-
Saphir LDP 5089, 5770 |
|
EP, SP |
France |
? |
cat.1967 |
WC |
|
Re-issue |
-
Véga 10586 |
|
LP |
France |
?[1970s] |
|
WC |
|
London Metropolis Symphony
Orchestra, male chorus, Freedman |
- Allegro ALL/SALL 816 |
|
LP |
UK |
[1966] |
|
|
|
Re-issue |
- Embassy WLP 6060 |
|
LP |
UK |
|
|
|
|
The Longines Symphonette |
Longines Symphonette LW 168 |
|
LP |
US |
[1966/1969?] |
|
|
|
Stuttgart
Philharmonic Orchestra, male chorus, Mareczek
|
Philips G 05585 |
|
10”
LP |
France |
[1967] |
|
WC |
|
Re-issue |
- Philips 836397 VZ |
|
10”
LP |
France |
[1967] |
|
WC |
|
Re-issue |
-
Philips 837494 GY |
|
LP |
France |
cat.1967 |
WC |
||
Re-issue |
-
Mercury Wing SRW 18090 |
|
LP |
US |
[1968] |
|
|
|
Re-issue |
- Philips STLP 900531 |
|
LP |
Brazil |
[1969] |
|
|
|
Re-issue |
- Fontana SFL 14141 |
|
LP |
UK |
[1970] |
Jan 70 p.1188 |
BL,
PD, TM, (TM CD) |
|
Re-issue |
-
Philips 730236 |
|
CAS |
Spain |
[1971] |
|
WC |
|
Re-issue |
-
Fontana 6747 039 |
|
LP |
France |
[1973] |
|
WC |
|
Re-issue |
-
Philips 7431 049 |
|
CAS |
Spain |
[1977] |
|
WC |
|
Re-issue |
-
Philips G 03488 L |
|
LP |
France |
|
|
WC |
|
Re-issue |
-
Phillips 839800 GY/GSY |
|
LP |
Sweden |
|
|
WC |
|
Re-issue |
- Contour 6870
576 |
|
LP |
UK |
|
|
|
|
Re-issue |
- Philips 432607 AE |
|
10”
LP |
France |
|
|
|
|
Re-issue |
- Philips
6504 042 |
|
LP |
Spain |
|
|
|
|
Re-issue |
- Philips
6537 018 |
|
LP |
France |
|
|
|
|
Re-issue |
- Philips
412 126 |
|
EP |
Netherlands |
|
|
|
|
Re-issue |
-
Philips 7318 016 |
|
CAS |
France |
|
|
WC |
|
Re-issue |
-
Philips 9117 CAA |
|
CAS |
France |
|
|
WC |
|
Royal
Philharmonic Chorus & Orchestra, Rogers |
Decca
PFS 4170 |
|
LP |
UK |
1969 |
Nov
69 p.833 |
BL,
TM |
|
Re-issue |
- London SPC 21036 |
|
LP |
US |
1969 |
|
|
|
Re-issue |
- Decca
SLZ.8386, |
|
LP |
NZ |
1969 |
|
|
|
Re-issue |
- London
LLN-7164, |
|
LP |
Brazil |
1969 |
|
|
|
Re-issue |
- London SPA 4016 |
|
LP |
US |
[1971] |
|
WC |
|
Re-issue |
- Decca BPS 2 |
|
LP |
UK |
1973 |
|
|
|
Re-issue |
- Decca SPA 356 |
|
LP |
UK |
1974 |
BL |
||
Re-issue |
- Decca 16BB 230 |
|
LP |
UK |
1975 |
|
|
|
Re-issue |
- Orlador 54452 |
|
LP |
Spain |
1975 |
|
|
|
Re-issue |
-
Decca STBD 10-2 |
|
LP |
UK |
Sept
77 p.518 |
|||
Re-issue |
-
Decca DGS 16 |
|
LP |
US |
1980 |
|
|
|
Re-issue |
-
Decca 6594064 |
|
LP |
Spain |
1981 |
|
WC |
|
Re-issue |
- London 416 5281 |
|
LP |
Spain |
1986 |
|
|
|
Re-issue |
- Encanto END 5206 |
|
LP |
US |
1987 |
|
|
|
Re-issue |
- Trax
Classique TRX 106 |
|
LP |
UK |
1987 |
|
BL |
|
Re-issue |
- London 430 1562 |
|
CD |
US |
1990 |
|
|
|
Re-issue |
- Decca 444786-2LPF |
|
CD |
UK |
1996 |
Aug
96 p.60 |
BL,
PD, TM |
|
Re-issue (Phase
4 Experience Sampler) |
- Decca 444788-2 |
|
CD |
UK |
1996 |
BL |
||
Re-issue |
- MG Direct Marketing D 115620 |
|
CD |
US |
1996 |
|
|
|
Re-issue (Phase
4 Experience) |
- PolyGram Ibérica 452449-2 |
|
CD |
Spain |
1996 |
|
|
|
Re-issue |
- Decca 466 8562 |
|
CD |
UK |
1999 |
|
|
|
Re-issue |
- Decca 532 2950 |
|
CD |
Australia |
2010 |
|
|
|
Re-issue |
- Trax Classique TRX CD 106 |
|
CD |
UK |
|
|
|
|
Franck Pourcel & son grand orchestre (arr. Pourcel) |
Voix
de son maître 1551683, 1551703 |
|
LP |
France |
[1970] |
|
WC |
|
Re-issue |
- Voix de son maître 2CO 6115575 |
|
LP |
France |
[1970?] |
|
WC |
|
Re-issue |
- Odeon SURL 20764 |
|
LP |
Uruguay |
[1970 |
|
|
|
Re-issue |
- La voce
del padrone 3C 005-17777 |
|
EP |
Italy |
1971 |
|
|
|
Re-issue |
- Readers Digest 40SM |
|
LP |
France |
1974 |
|
WC |
|
Re-issue |
- Readers Digest 272S |
|
CAS |
France |
1974 |
|
WC |
|
Re-issue |
- World Cassette Club 0622, |
|
CAS |
Australia |
1974 |
|
|
|
Re-issue |
- World Record Club S 5699 |
|
LP |
Australia |
1974 |
|
|
|
Re-issue |
- World Record Club R-01814, |
|
LP (& CAS) |
Australia |
1976 |
|
|
|
Re-issue |
- Reader’s Digest 1009-K |
|
CAS |
Spain |
1980 |
|
|
|
Re-issue |
- EMI SOLP-7187 |
|
LP |
Venezuela |
|
|
|
|
Re-issue |
- EMI Classics CDZ 767 6842 |
|
CD |
Spain |
1992 |
|
|
|
Re-issue |
- Parlophone |
|
mp3 |
|
2019 |
|
|
|
KRO Huisorkest |
Basf 14-25188-8 |
|
LP |
Netherlands |
1973 |
|
|
|
Re-issue |
- Fonos LP 4833 |
|
CD |
Netherlands |
|
|
|
|
Ernest Wilson & his
Music, “sequence waltz” |
Silver Dollar SDX 3961 |
|
EP |
UK |
1975 |
|
|
|
Orchester
Marcus Österdahl, Arne Lamberth
(trumpet), Visavi (song group) |
Bosworth BRM 33005 |
|
LP |
Germany |
1975 |
|
|
|
Philharmonia Orchestra,
Ambrosian
Singers, Lanchbery |
EMI
ASD 3542 |
|
LP |
UK |
1978 |
July
78 p.261 |
BL,
PD, TM |
|
Re-issue |
- Angel EAC
55030 |
|
LP |
Japan |
[1978] |
|
|
|
Re-issue |
-
Angel S 37483 |
|
LP |
US |
1978 |
|
|
|
Re-issue |
- His
Master’s Voice TC-ASD 3542 |
|
CAS |
UK |
1978 |
|
|
|
Re-issue |
- EMI 26
1370 |
|
LP |
Germany |
1978 |
|
|
|
Re-issue |
- EMI 7C 06102986 |
|
LP |
Sweden |
1978 |
|
|
|
Re-issue |
-
Hörzu 1C 05702986Q |
|
LP |
Germany |
1978 |
|
WC |
|
Re-issue |
- World Record Club R-05771 |
|
LP |
Australia |
1979 |
|
|
|
Re-issue |
-
Angel SS 45012 |
|
EP |
US |
1979 |
|
|
|
Re-issue |
- Voz de su Amo 10C 265002986Q |
|
LP/CAS |
Spain |
[1980] |
|
WC |
|
Re-issue |
- Voix de son maître 2C 2692986 |
|
LP/CAS |
France |
|
|
WC |
|
Re-issue |
- His Master’s Voice 7C 137-35756 |
|
LP |
Sweden |
1980 |
|
|
|
Re-issue |
- His Master’s Voice 1546401 |
|
LP |
Sweden |
1983 |
|
|
|
Re-issue |
- Richmond B 20083 |
|
LP |
US |
|
|
|
|
Re-issue |
- Angel EAC-80451 |
|
LP |
Japan |
|
|
|
|
Re-issue |
-
EMI CDC 7478062 |
|
CD |
UK |
1987 |
Nov 87 p.825 |
WC |
|
Re-issue |
-
EMI 7243 5730 025 |
|
CD |
UK |
1990 |
|
|
|
Re-issue |
-
EMI CDM 253 8402 |
|
CD |
Netherlands |
1992 |
|
|
|
Re-issue |
-
EMI 7234 5680 6122 |
|
CD |
UK |
1993 |
|
|
|
Re-issue |
-
CD-CFP 4637 |
|
CD |
UK |
1993 |
Mar
94 p.114 |
BL,
TM |
|
Re-issue |
-
TC-CFP 4637 |
|
CAS |
UK |
1993 |
Mar
94 p.114 |
|
|
Re-issue |
- EMI
50112920 |
|
CD |
Japan? |
1994 [2007] |
|
TM |
|
Re-issue |
- EMI Classics
7243 5730 0124 |
|
CD |
Netherlands |
1998 |
|
|
|
Re-issue |
-
EMI Classics 5730002 |
|
CD |
Germany |
[1998] |
|
WC |
|
Re-issue |
- HMV 5724852 |
|
1998 |
|||||
Re-issue |
-
EMI Classics 0724 3573 00056 |
|
CD |
|
[1999] |
|
NX |
|
Re-issue |
-
EMI Classics 0742 3573 00155 |
|
CD |
|
[1999] |
|
NX |
|
Re-issue |
-
EMI 7243 57499 828 |
|
CD |
UK |
2001 |
|
|
|
Re-issue |
- EMI Classics
7243 8266 6424 |
|
CD |
Europe |
2002 |
|
|
|
Re-issue |
- EMI Classics 00946 352
39959/352399-2 |
|
CD |
|
[2006] |
|
NX |
|
Re-issue |
- EMI
Classics 5099 9228 28552 |
|
CD |
|
[2008] |
|
NX |
|
Re-issue |
- EMI
Classics 5099 9088 79653 |
|
CD |
|
2011 |
|
NX |
|
Re-issue |
- EMI
Classics 5099 9327 1552 |
|
CD |
|
2012 |
|
NX |
|
Re-issue |
- Warner
Classics 5099999377250 |
|
CD |
|
2013 |
|
NX |
|
Re-issue |
- Angel HCD-1353 |
|
CD |
Japan |
|
|
|
|
London Promenade Orchestra,
Ambrosian
Chorus, Faris |
Philips 6514 152 |
LP |
UK |
1982 |
Apr 82 p.1423 |
BL,
TM |
||
Re-issue |
- Philips 7337152 |
|
CAS |
UK |
1982 |
Apr 82 p.1423 |
WC |
|
Re-issue |
- Philips 400 011-2PH |
CD |
UK |
1983 |
Apr 83 p.1152 |
BL,
PD, TM |
||
Re-issue |
- Musical
Heritage Society MHS 11165F |
|
CD |
Germany |
1986 |
|
|
|
Re-issue of fragment? “De magische
klok” |
- Efteling EF 10011 |
|
LP |
Netherlands |
1987 |
|
|
|
Re-issue of fragment? “De magische
klok” |
- TBA CD 10011 |
|
CD |
Netherlands |
1988 |
|
|
|
Re-issue |
- Philips MCCE
7084 |
|
CAS |
Mexico |
1991 |
|
|
|
Re-issue |
- Philips 4626572 |
CD |
|
1999 |
BL |
|||
Re-issue |
- Sony Music Media SMM 4944892 |
|
CD |
Belgium |
1999 |
|
|
|
Re-issue |
- Decca/Universal 4737202 |
CD |
|
2003 |
June 03 p.50 |
BL,
WC, PD |
||
Re-issue (cond. Myers) “Dans les jardins du’un monastère” |
- Mon Patriomoine Musical |
|
mp3 |
France |
2019 |
|
|
|
Salonorkest Pluche, Koos Huizinga
(narrator) (arr. Smit) |
Nova
Zembla NZR 84004 |
|
LP |
Netherlands |
1984 |
|
|
|
Re-issue |
-
Fonos ST 628 13 |
|
CD |
Netherlands |
|
|
|
|
Palm
Court Theatre Orchestra, Godwin |
Chandos
CHAN 8856 |
CD |
UK |
1990 |
Sept 90 p.616, VLM Winter 91 |
BL,
NX |
||
Slovak
Philharmonic Male Chorus, Czecho- Slovak Radio Symphony Orchestra, Leaper |
Marco
Polo 8.223442 |
CD |
UK |
1992 |
Apr
94 p.48 |
BL,
NX, PD, TM |
||
Re-issue |
-
Naxos 8.553515 |
CD |
UK |
1996 |
BL,
NX |
|||
Re-issue |
-
Naxos 8.554586 |
CD |
UK |
|||||
Re-issue |
-
Naxos 8.554710, 8.505147 |
CD |
UK |
1999 |
Mar 00 p.70 |
TM |
||
Re-issue Symfonieorkest Bratislava |
-
Sony SMM 4944892, 494489000 |
|
CD |
Belgium |
1999 |
|
|
|
Re-issue |
- Naxos 8.555175 |
|
CD |
|
2023 |
|
|
|
National Philharmonic Orchestra,
Gerhardt (duration 5’46”) |
Reader’s Digest DRDS 1028 |
|
CD |
Netherlands |
1993 |
copyright 1987 |
|
|
Re-issue “London Promenade Orchestra, Gamley” |
-
Reader’s Digest 65002 |
|
CD |
UK |
1993 |
BL |
||
Re-issue |
-
Reader’s Digest 30592 |
|
CD |
France |
1993 |
|
WC |
|
Re-issue |
-
Reader’s Digest 20592 |
|
CAS |
France |
1993 |
WC |
||
Re-issue “London Promenade Orchestra, Gerhardt” |
- Reader’s Digest RCDC 1991 |
|
CD |
UK |
1997 |
|
TM |
|
Re-issue |
- Reader’s Digest 31052123 |
|
CD |
France |
2000 |
|
WC |
|
Re-issue “London Promenade Orchestra, Gerhardt” |
- Reader's Digest RDCD
56913 |
|
CD |
UK |
2007 |
|
|
|
Tin
Pan Alley Orchestra, Barnard |
private
recording |
|
CAS |
UK |
Oct
96 |
TM |
||
London
Promenade Orchestra, Gerhardt (duration 3’02”) |
Reader’s Digest 3839 |
|
CD |
Netherlands |
1997 |
|
|
|
Re-issue |
- Reader’s Digest G94027
G BR 3 |
|
CD |
Brazil |
1998 |
|
|
|
Re-issue |
- Reader’s Digest RDCD01-1 |
|
CD |
Russia |
2002 |
|
|
|
Re-issue (perhaps not this version) |
- Reader’s Digest E 98002 LTLT |
|
CD |
Lithuania |
2010 |
|
|
|
Re-issue |
- Selezione dal Reader’s Digest RDCD 169 |
|
CD |
Italy |
|
|
|
|
Re-issue |
- Reader’s Digest 20201011
CD |
|
CD |
Poland
|
|
|
|
|
Northstar Orchestra |
Direct
Source |
|
CAS,
CD |
|
2000 |
|||
New
London Orchestra, Corp |
Hyperion
CDA 67400 |
|
CD |
UK |
2002 |
Awards
02 p.69 |
TM |
|
Re-issue |
-
Hyperion CDS 44261-4 |
|
CD |
UK |
2006? |
VLM Autumn 06 |
||
Re-issue? |
- National Trust 20226 |
|
CD |
UK |
2003 |
|
|
|
BBC Symphony Orchestra, BBC Singers, Robertson (introduced by Clive
Anderson) |
BBC |
|
web |
UK |
2009 |
|
PD |
|
? |
Yesterday’s Music C150 |
|
CD |
UK |
2014 |
LMS Summer
14 |
|
|
Salon-Orchester Alfred Beres |
Heimklang 1560 |
? |
10” 78 |
Germany |
?[pre-1926?] |
MMU |
|
|
Re-issue? |
-
Adler-Electro 5467 |
7199 |
10” 78 |
|
? |
MMU |
WC |
|
Re-issue? |
-
Pallas 188 |
37199 |
10” 78 |
Germany |
? |
|
WC |
|
Re-issue? |
-
201 |
7199 |
10” 78 |
|
? |
|
WC |
|
Berliner Konzert-Orchester, Evans |
Tri-Ergon 1168 |
2472 |
12” 78 |
Germany |
? |
MMU |
WC |
|
Berliner Symphoniker, Collegium Musicum Vocale
Berlin, Liebe |
Lindström/Odeon O 28067 |
Be
14254 |
10” 78 |
Germany |
? |
|
WC |
|
Re-issue |
- Odeon X 3341 |
Be
14254 |
10” 78 |
Brazil |
? |
|
|
|
Emil Roósz mit seinem Künstlerkapelle/Orchester v. Hotel Adlon, Berlin |
Kristall 1246 |
C 1572 |
10” 78 |
Germany |
?[pre-1926?] |
MMU |
|
|
Re-issue |
- 19230 |
C 1572 |
10” 78 |
|
? |
|
WC |
|
Re-issue (Stråkorkester) |
- Teco 247 |
C
1572 |
10”
78 |
Sweden
|
[1933] |
|
|
|
Grand Orchestre, chorus, organ |
Pathé 8607 |
N 300114 |
10” 78 |
France |
? |
|
WC |
|
Grand Orchestre de Genre, chorus |
Omnia 25052 |
? |
10” 78 |
France |
? |
|
WC |
|
Grand Orchestre Symphonique, chorus |
Parlophone 52017 |
? |
12” 78 |
France |
? |
|
WC |
|
Grand Orchestre Symphonique |
Lucky PG
8007 |
|
EP |
Greece |
? |
|
|
|
Grand Orchestre Viennois |
Atout 4071 |
? |
10” 78 |
France |
? |
|
WC |
|
Re-issue |
- Colisée 11055 |
|
10” 78 |
France |
? |
|
WC |
|
Re-issue |
- Galfadisc GL 127 |
|
10” 78 |
France |
? |
|
WC |
|
Grosses
Salon-Orchester |
Artiphon (red label) 9730 |
? |
78 |
Germany |
? |
MMU |
||
Re-issue |
- Wotama-Elektro 9730A |
|
78 |
Germany |
? |
MMU |
||
Neues Symphonie-Orchester |
Electrola EH 85 |
? |
78 |
Germany |
? |
MMU |
||
Odeon
Orchestra |
Odeon
3224 |
? |
78 |
|
? |
|
WC |
|
Orchestra,
chorus, organ, Schleger |
Telefunken/Ultraphon A 1036 |
18192
|
10” 78 |
Germany |
? |
|
WC |
|
Orchestre de genre |
BHV-Le Rivolia 1073 |
? |
10” 78 |
France |
? |
|
WC |
|
Orchestre Lutèce, chorus |
Gramophone
L 787 |
? |
12” 78 |
France |
? |
|
WC |
|
Parlophon-Künstlerorchester, chorus |
Lindström |
? |
10” 78 |
Germany |
? |
|
WC |
|
Robert F. Hilliard Concert Orchestra |
RCA
Thesaurus 700-300 |
|
16” LP |
US |
? |
|
WC |
|
Royal
Orchestra |
Savana
822 |
342 |
5 ½” 78 |
UK |
?[1920s] |
|
|
|
Re-issue (Orchestra) |
-
Marspen 624 |
342 |
5 ½” 78 |
UK |
?[1920s] |
|
|
|
Streichorchester J. Presburg
(string orchestra) |
Clausophon 278 |
5897 |
10”
78 |
Germany |
? |
|
WC |
The 1927 recordings for Odeon
and Parlophone have similar sounding ensembles and revised
scoring, but xxB7827 moves the minor section later, while 2-20439 has a cuckoo
calling.
The details for the Charles
Gerhardt (apparently real name Douglas Gamley)
versions are very confused. There appear
to be two versions differing considerably in length, but with overlapping names
for the orchestra.
There are a couple of unusual
choices to be made by anyone conducting this from the original parts – the
Kyrie is for men's chorus with wind, but the bass line only occurs in the organ
part – so what to do if no chorus or organ? In the table below, chorus and
organ are mentioned if present and audible.
There are a variety of bird-calls, very of few of which imitate birds
heard in England. The saxophone part
used in some modern recordings dates from the
1930s.
Artists |
Notes |
Link |
Aliberti |
New scoring, with piano. Slow. New
introduction based on coda. Bell sounds tinny. |
|
Andolfi |
A straightforward performance with chorus
and organ (?).
Monotonous twitter from bird. |
|
Beres |
Very small orchestra, prominent solo
violin. 4 extra bell notes at
beginning. With cuts. Plenty of bird and flute. Kyrie on harmonium. |
https://archive.org/details/78_in-einem-klostergarten_a-w-ketelbey_gbia0123275a
|
Bourdon (1921) |
Canary-like bird. Brass bass. Confident
men’s chorus. |
https://adp.library.ucsb.edu/index.php/matrix/detail/700010635/C-25387-In_a_monastery_garden
|
Bourdon (1926) |
A straight performance, with cuts. Distant
monks with organ(?). Extra bell note at end. |
|
Columbia Salon Orchestra
(1939) |
With cuts. With piano. Strings replace
voices in Kyrie. |
https://archive.org/details/78_in-a-monastery-garden_columbia-salon-orchestra-ketelbey_gbia0068504a
|
Columbia Symphony Orchestra
(1917) |
Small orchestra, very indistinct tone. Bird
soloist is Sybil Sanderson Fagan. Probably just 2 monks, with organ? The
playback in the link is too slow. |
https://adp.library.ucsb.edu/index.php/matrix/detail/2000143416/49063-In_a_monastery_garden
|
Corp |
With saxophone. Scratch choir of monks. |
|
Dawson & canaries |
With cuts. The canaries sing non-stop over a
standard performance by a string orchestra with piano & organ. |
|
Dobrindt |
Some rescoring for brass and voices. Bird
calls include a cuckoo. Extra bells before Kyrie and at end, sound like real
bells. First tenor sings octave higher in places. Shares some distinguishing
features with the Odeon 1927 recording. |
https://archive.org/details/78_14605-Dans-le-jardin-de-monastere
|
Etcheverry |
Curious acoustic, like a
swimming bath. A dreary performance, but strong choir backed by organ. Bells
almost inaudible. |
https://archive.org/details/phil.-432.607-aeof-1-ketelbey-sur-un-marche-persan-jesus-etcheverry |
Faris |
Uses an anachronistic
saxophone. Refined choir with pipe organ. |
|
Floridia |
With cuts. Straight performance with small
orchestra. Shy bird and flute.
Prominent tenor voice in small choir.
Detached phrasing in coda. |
|
Freedman |
Rather lumpy phrasing, with
first beat of each bar emphasised. |
https://www.youtube.com/watch?v=cXfuEJo5c1c&list=OLAK5uy_lzOlKIguAmn0iAgyimiQGcOeRfnQnzEEA |
Gandino |
New opening with bell and
chorus. Fast minor section. Bird call
tolerably similar to Eurasian robin.
Chorus sing different chord layout.
Ends loud. |
|
Gerhardt (5'46"?) |
Re-scored, with additional
bird calls. It has 6 additional, entirely superfluous tonic chords at the
very beginning. Brass very unbalanced in Kyrie section |
Played a semitone sharp,
lasting 5'27" |
Godwin |
Chamber orchestra with solo strings and
piano. Distant choir accompanied by
piano. |
https://music.youtube.com/watch?v=UglyQs1WyM0&list=RDAMVMUglyQs1WyM0 |
Gould |
New opening.
Lacks bird calls. Glock
replaces Tubular Bells. |
|
Hager |
With cuts. Tuba on bass line. Sybil Fagan
performs the elegant bird calls. First
tenor takes higher notes at end. |
|
Hermann |
Re-orchestrated. Kyrie sung wordless by solo
soprano. |
|
His Master’s Voice
Orchestra |
With cuts. Very languid, with slow scoops in
violins. Tuba on bass line. Quartet on monks. |
|
Ketèlbey (1914) |
Uses pre-publication orchestration, with the following instruments
audible: violin, cello, flute, 2 cornets, trombone, bells, very small male
chorus. No bird calls. Cuts minor
section. Chorus tacet during coda. |
|
Ketèlbey (1915) |
Reduced orchestra, lacking oboe, bassoon, trombones, glock, timpani. Tuba replaces double bass. Dull bird calls. Cuts 17-24. Men's chorus divides into 3 parts, with different
underlay, including words "Christe
eleison". Chorus accompanied by harmonium? |
|
Ketèlbey (1928) |
Slow. With organ, harp, mixed chorus, tuba on bass line. First reprise sung by contralto solo,
accompanied by flute, clarinet, bell, harp and strings. Kyrie prefaced by 8 bars of organ and
bells. Mixed chorus. Contralto sings
again in second reprise. Ends ff. |
|
Ketèlbey (1940) |
With cuts. Fast, sounds slightly sharp (perhaps because of the
organ). Small orchestra without
cornets, trombones or timpani, but with organ. Extra bird-song. Some bell notes omitted. With chorus, and baritone singing in second
reprise. |
|
Kostelanetz (1947) |
Starts with 20 seconds of orchestral
birdsong. Frilly reorchestration, with
some odd key sequences. Rushes between phrases. |
|
Lanchbery |
No bird call at start. With
saxophone. Monks convincingly distant in first Kyrie, with chapel organ. |
|
Leaper |
To my ears, the phrasing lacks fluency. Tidily sung, without organ. |
|
Leggett (named in Columbia
studio diary) |
Lugubrious tone. Bird song
has passing resemblance to song thrush. Strong chorus, singing as in Ketèlbey 's 1915 recording. Ends loud. |
|
Liebe |
Includes mixed voice
backing chorus and a cuckoo. |
|
Mareczek |
Rather disjointed
phrasing. The Kyrie is sung
unaccompanied, apart from an out-of-tune tubular bell. |
|
Mayfair Orchestra |
With cuts. Brisk. Strong
muted cornet. Monks sound
down-to-earth. |
|
Melachrino |
Sumptuously rearranged for
strings with harp & percussion. Cuts minor section. Chorus accompanied by rhythmic pizzicato
and bells. |
|
Metropolitan Symphony Orchestra |
Voices unbalanced,
some flute notes lost. |
|
Muscant (Regal) |
With piano and small
organ. The bassoon is replaced by a
brass instrument (euphonium in the score, but sounds
like a trombone). |
|
Odeon (1927) |
Very sumptuous sound.
Sections played in different order.
The chorus parts rewritten, backed by loud brass. Overlapping
continental church bells before the Kyrie and at end. |
|
Peerless Orchestra |
With cuts. Small orchestra with tuba on
bass. Similar bird to Columbia Symphony Orchestra. Phrasing either rushed or disjointed.
Perfunctory monks. |
https://adp.library.ucsb.edu/index.php/matrix/detail/2000154870/7868-In_a_monastery_garden |
Salonorkest Pluche |
Recorded at live concert. New arrangement,
with Dutch commentary as voice over. Chamber ensemble with just 5 solo
strings, piano and bell. With men's chorus. |
https://www.youtube.com/watch?v=4O5v7KEVTe0
at 24' 55" |
Pourcel |
Re-scored, with plenty of cor anglais. Real birds
singing. Slow, with exaggerated rubato and added reverb. Kyrie melody
distorted. Bell replaced by Glockenspiel. |
|
Rapée |
With cuts. 8 extra bell
notes at start., one at end. Reticent
bird. With chorus and harmonium(?).
Tenor takes last two notes higher then written. |
|
David Robertson |
Recorded in the Albert
Hall, London, at the Last Night of the Proms, 12 September 2009. Tasteful performance, with a massive
assembly of monks. |
|
Roy Robertson |
Quiet bird call. Cuts reprise. With chorus. |
|
Eric Robinson |
A new orchestration, played to the composer
on the Music for You TV programme. With chorus. |
http://www.albertketelbey.org.uk/broadcasts.html |
Stanford Robinson |
Muted cornet plays with bleating vibrato. Added harp in second reprise. Distant
monks. |
|
Eric Rogers |
Vivid sound. Flute obligato includes piccolo notes. Monks sound healthy. Little harp flourish
after Kyrie. |
|
Walter B. Rogers |
8 extra bell notes at
start, copied from Rapée's earlier version for
Brunswick. With small chorus. |
http://archive.org/details/AKetelbyFestival-5CutsFrom1927-1930 |
Roósz |
Acoustic recording of very small orchestra
with piano and brass bass. Much
portamento and rubato from prominent solo violin and cello. Cuts Kyrie and reprise. |
|
Savino |
Omits coda, but male chorus
reintroduced for final bars of main melody. |
|
Schloss |
Canary-like bird call. 9-strong chorus.
Discordant bell, sounding flat by a wide tone, ringing on at the end. |
https://adp.library.ucsb.edu/index.php/matrix/detail/2000159425/18614-In_a_monastery_garden
|
Sharples |
Slow. Bird vaguely resembles Eurasian robin.
Solemn monks, with full organ. |
https://music.youtube.com/watch?v=MbZZ6i_PfmU&list=RDAMVMMbZZ6i_PfmU |
Sosnik |
With cuts. Rescored with prominent sax
section. Semitone key shift upwards near end. |
|
Wal Berg |
Sumptuous rescoring and some
reharmonization. Bizarre glock during Kyrie (sung with French accent). Reprise with ondes
martenot effect. |
|
Westminster Light SO |
No bird calls. Brisk. Chorus with organ. |
In
a Monastery Garden – other versions – (Link to page 2)
Webpage last updated 9 May
2023