Ma Petite, by “Raoul Clifford”
Dating from 1897, for
mandolin and piano, with optional 2nd mandolin, cello and
guitar. This was probably part of the
repertoire of “Le Zingare”, Florence Hoare’s Mandoline Band.
Medium |
Artists |
Label |
Format |
Country |
Date |
Locations |
Synthesized |
Tom McCanna |
private recording |
mp3 |
UK |
2019 |
PD, TM |
The realisation adds a repeat to enable different combinations of instruments. Hear it at http://www.albertketelbey.org.uk/mp3/synth/Ma petite for mand band sync.mp3
March of the Pioneer Corps
Written for the Pioneer Corps (Scottish Command) Theatre Orchestra. It was registered with Bosworth’s in 1940,
but not published until 1943.
Medium |
Artists |
Label |
Format |
Country |
Date |
Locations |
Synthesized |
Stephen Berry |
private recording |
mp3 |
UK |
2016 |
PD, TM |
To hear this realisation,
click here http://www.albertketelbey.org.uk/mp3/synth/March of the
Pioneer Corps orchsynth.mp3
Marching Along to Victory
A cheerful march for bugles
and drums, dating from 1944. The drummers have the option of singing the title
phrase in several places.
Medium |
Artists |
Label |
Format |
Country |
Date |
Locations |
Synthesized |
Tom McCanna |
private recording |
mp3 |
UK |
2019 |
PD, TM |
The realisation substitutes a whistling effect for the singing. To hear it, click here http://www.albertketelbey.org.uk/mp3/synth/Marching along to victory for bugles and drums sync.mp3
Les Marionettes: suite de ballet
Simple teaching pieces from around 1902 for
players with small hands.
1. L'assemblée
2. Pas de valse
3. Chant d'amour
4. Le carnaval
5. Petite sérénade
6. Bonne nuit: marche
Medium |
Artists |
Label |
Format |
Country |
Date |
Locations |
Synthesized |
Tom McCanna |
private recording |
mp3 |
UK |
2020 |
TM |
A Mayfair Cinderella: valse-intermezzo
Evidence
suggests that this orchestral waltz was originally a song written for Florence
Smithson, who played Cinderella in the pantomime at Drury Lane in the 1919-20
season. But the copyright was not
assigned to Bosworth until 6th August 1937.
Medium |
Artists |
Label |
Matrix |
Format |
Country |
Date |
Gramophone Review |
Locations |
Orchestra |
London
Concert O |
Bosworth
BC 1180 |
CP 1264 |
10” 78 |
UK |
[1943] |
WC,
(TM CD) |
|
Re-issue |
-
Guild Light Music GLCD 5136 |
CD |
UK |
2007 |
||||
Orchestra |
BBC Concert Orchestra,
Yates |
Dutton Epoch CDLX 7407 |
|
CD |
UK |
2023 |
|
TM |
The London Concert Orchestra includes a harp not in
the published set of parts. The recording
can be heard at https://www.youtube.com/watch?v=U1ewzbLPiVg
A fine performance from the BBC Concert Orchestra, which I believe was recorded socially-distanced during the 2021 pandemic.
Mélodie du Coeur
This piece was published in
1913 by Presser in U.S.A., with alternative solo parts for violin or cello,
with piano accompaniment.
Medium |
Artists |
Label |
Format |
Country |
Date |
Locations |
Synthesized |
Tom McCanna |
private recording |
mp3 |
UK |
2019 |
PD, TM |
To hear a realisation of the
violin version, click here http://www.albertketelbey.org.uk/mp3/synth/Melodie
du coeur for violin and piano synth.mp3
To hear a realisation of the
cello version, click here http://www.albertketelbey.org.uk/mp3/synth/Melodie
du coeur for cello and piano synth.mp3
Mélodie Plaintive
This expressive and
challenging piece for violin and piano was written for Ketèlbey’s
brother Harold, and published in 1906.
Medium |
Artists |
Label |
Format |
Country |
Date |
Locations |
Synthesized |
Tom McCanna |
private recording |
mp3 |
UK |
2018 |
PD, TM |
To hear this realisation,
click here http://www.albertketelbey.org.uk/mp3/synth/Melodie
plaintive for violin and piano synth.mp3
25 Melodious Studies: in the form of duets for 2 mandolines,
by “Raoul Clifford”
1898, also advertised as
“Original Duets”. Short, simple, and not
always original.
1. Andante: Study in the
first position for the tremolo
2. Briskly: Study in the
first position for the striking
3. Study in the second
position for the tremolo
4. Decisively: Study in
the second position for the striking
5. Gracefully: Study in
the third position for the tremolo
6. Study in the third
position, tremolo, the slurred notes, and strike the dotted ones
7. Andante sostenuto:
Study for expression
8. Con spirito, A minor
9. Moderato, D major
10. Allegro, B minor
11. Grazioso, C major
12. Grazioso, G major
13. Staccato: Arpeggio study
14. Ben marcato: Chord study
15. Allegro: Study in cross accents and chords
16. Allegretto scherzando: Grace-note study
17. Allegretto leggiero, E minor
18. Moderato espressivo:
Study on the fourth string
19. Allegro giocoso: Study
for accompaniment
20. Andante con moto:
Chromatic study
21. Allegro vivace: Scale
study
22. Allegretto espress.: Study for expression
23. Andante, E flat major
24. Moderato, F minor
25. Allegretto scherzando,
F major
Medium |
Artists |
Label |
Format |
Country |
Date |
Locations |
Synthesized |
Tom McCanna |
private recording |
mp3 |
UK |
2020 |
TM |
Men of England: short patriotic ode
Choral ode from
1926, setting of a 1828 poem by the Scottish poet
Thomas Campbell. Evidence suggests that
the work was first performed in December 1926 with organ accompaniment, and
that the orchestration was done later by A.W. Leggett.
A shortened version with the subtitle “interlude” was issued for the
coronation year 1953, for orchestra with optional chorus.
Medium |
Artists |
Label |
Matrix |
Format |
Country |
Date |
Gramophone Review |
Locations |
Chorus
with orchestra |
Kingsway Hall Choir?, Albert W. Ketelbey’s
Concert Orchestra, Ketèlbey |
WAX
4935, 4936 |
12”
78, 2 sides |
UK |
[Nov
29] rec.Jan 29 |
Nov
29 p.251 |
BL,
PD, (TM CD) |
|
Re-issue |
-
Naxos 8.110870 |
CD |
UK |
2004 |
BL,
NX, PD, TM |
|||
Synthesized |
Tom McCanna |
private recording |
|
mp3 |
UK |
2020 |
|
TM |
Organ |
Michael Hendron
(Mason & Hamlin chapel organ) "Marcia Eroica" |
private recording |
|
Web |
US |
2020 |
|
|
The
composer makes a few minor changes to the score, most notably in fluctuations
of tempo. The first side ends with a
massive rallentando that would probably not have happened if the music had been
recorded continuously. The
recording uses a small choir of 12 voices at the most.
McCanna’s
realisation is of the Interlude, for orchestra alone. Hear it at http://www.albertketelbey.org.uk/mp3/synth/Men of England
interlude for orch.mp3
Hendron plays an extract published as Marcia Eroica.
Watch him at https://www.youtube.com/watch?v=w3jaYVSjzOI
The Message of the Bells, by “Geoffrey Kaye”
1919 piano piece, orchestrated in 1920
(probably not by the composer).
Medium |
Artists |
Label |
Format |
Country |
Date |
Locations |
Synthesized |
Tom McCanna |
private recording |
mp3 |
UK |
2020 |
PD, TM |
The orchestral realisation uses a tubular bell part which was
added later. Click here. http://www.albertketelbey.org.uk/mp3/synth/Message of the
bells for orch sync.mp3
Michaelmas Day: children’s song, by “Raoul
Clifford”
A song about eating goose on that festival
day, published in September 1897.
Medium |
Artists |
Label |
Format |
Country |
Date |
Locations |
Synthesized |
Tom McCanna |
private recording |
mp3 |
UK |
2020 |
TM |
Mind the Slide: (The Troubled Trombone): a
musical joke
A novelty orchestral piece from 1915. A contemporary review was very complimentary:
Albert W. Ketélbey's [sic] musical joke Mind
the Slide! provides scope for some droll orchestral effects, the trombone glissando
being freely introduced as might almost be expected from the very title of
the piece. Whatever the composer
touches, be it ever so unpretentious, he seldom fails to leave the impress of
his inherent musicianship upon it. And certainly the musical joke now before us may be cited as
proof of the assertion, were it necessary to offer any vindication, which we
very much doubt.
Composer’s
synopsis
One or two members of the orchestra find their instruments rather unmanageable, to the evident pain of the rest of the band, as indicated by their shouts of "Oh!"
The glissandos must be very exaggerated throughout this piece, to produce the grotesque effect required, and the shouts of "Oh!" in the Trio should be very loud, as if in pain, so as to make the audience jump!
Medium |
Artists |
Label |
Matrix |
Format |
Country |
Date |
Gramophone Review |
Locations |
Orchestra |
Regal
Orchestra, Ketèlbey |
Regal
G 7158 |
29922 |
10” 78 |
UK |
[Nov
15] |
||
Re-issue |
-
Naxos 8.110869 |
CD |
UK |
2003 |
BL,
NX, PD, TM |
|||
Military
band |
Empire
Military Band (=Regal Military Band) |
Beka 1141 |
? |
10” 78 |
UK |
rec.June 16 |
||
Re-issue
(Royal
Military Band) |
-
Coliseum 947 |
36614 |
10” 78 |
UK |
[1916] |
|||
|
Re-issue
(London
Orchestral Band) |
-
Jumbo 1441 |
36614 |
10” 78 |
UK |
[July 16] |
|
|
Synthesized |
Tom McCanna |
private recording |
|
mp3 |
UK |
2020 |
|
PD, TM |
Orchestra |
BBC Concert Orchestra,
Martin Yates |
Dutton Epoch CDLX 7407 |
|
CD |
UK |
2023 |
|
TM |
Ketèlbey makes two cuts totalling 39 bars, including the entire coda. It sounds
rather rushed, just getting it all in within the 3 minute
limit. Hear him at https://www.youtube.com/watch?v=drZ5YybzJqY
The
realisation follows the tempo instruction “Not too fast, steady two in a
bar”. But the trombone smears are less
fun than on the analogue recording, and the siren is beyond MuseScore’s
capability.
Hear
it at http://www.albertketelbey.org.uk/mp3/synth/Mind the slide
for orch sync.mp3
No such problems
with the BBC Concert Orchestra, who enjoy themselves in a relaxed but exciting
performance.
Mirror Dance
The title presumably refers to the well-known dance routine involving two dancers either side of an imaginary mirror.
Medium |
Artists |
Label |
Format |
Country |
Date |
Gramophone Review |
Locations |
Piano |
Rosemary Tuck |
Marco Polo 8.223699 |
CD |
UK |
1993 |
BL, NX, PD, TM |
|
|
Re-issue |
- Naxos 8.574299 |
CD |
|
2021 |
Awards
21 p.84 |
NX, TM |
Hear this recording at https://music.youtube.com/watch?v=iTAgW6Jc8bk&list=RDAMVMiTAgW6Jc8bk
Moderato
Grazioso: study in style and independence
A charming two-part invention,
written for a book of piano studies published by Trinity College of Music.
Though the music has the copyright date of 1927, it may have been written at
the turn of the century, when the composer was an examiner for the college.
Medium |
Artists |
Label |
Format |
Country |
Date |
Locations |
Synthesized |
Tom McCanna |
private recording |
mp3 |
UK |
2019 |
PD, TM |
Click here to hear this realisation. http://www.albertketelbey.org.uk/mp3/synth/Moderato
grazioso for piano sync.mp3
Morceau Pathéthique, op.14 (by “Anton Vodorinski”)
Gloomy piano piece
from around 1904. An orchestral
arrangement was published in 1926.
Medium |
Artists |
Label |
Format |
Country |
Date |
Gramophone Review |
Locations |
Piano |
Rosemary Tuck |
Marco Polo 8.223700 |
CD |
UK |
1993 |
BL, NX, PD, TM |
|
Synthesized |
Tom McCanna |
private recording |
mp3 |
UK |
2021 |
|
PD, TM |
Hear Tuck at https://music.youtube.com/watch?v=oTcmzBx2kXs&list=RDAMVMoTcmzBx2kXs
The synthesized orchestral version can be heard at http://www.albertketelbey.org.uk/mp3/synth/Morceau%20pathetique%20for%20orch.mp3
The Mountaineer
An “easy two-part song” from 1895.
Medium |
Artists |
Label |
Format |
Country |
Date |
Locations |
Synthesized |
Tom McCanna |
private recording |
mp3 |
UK |
2020 |
PD, TM |
As the text refers to “Loud and clear, hark to
the merry horn”, the realisation is for a pair of horns with piano. http://www.albertketelbey.org.uk/mp3/synth/Mountaineer
for horns (online-audio-converter.com) sync.mp3
Medium |
Artists |
Label |
Format |
Country |
Date |
Locations |
Organ |
Michael Hendron
(Mason & Hamlin chapel organ) |
private recording |
Web |
US |
2020 |
|
6 Musical Impressions
- 1. Les Grelots = Village
Chimes
- 2. Valse Sentimentale
- 3. Babillage des Nymphes
- 4. Romance: duetto
- 5. The Rivulet: etude
- 6. Pensiveness
These piano pieces were
published around 1902. Note the strange
mixture of languages in the titles – mainly French, with some English and one Italian
term. The obscurely named Les Grelots (literally translated as “Harness Jingles” or
more colourfully as “Sleigh Bells”) was later issued under the new title Village Chimes.
Medium |
Artists |
Label |
Format |
Country |
Date |
Locations |
Synthesized |
Stephen Berry |
private recording |
mp3 |
UK |
2019 |
PD, TM |
To hear these
realisations, click here
http://www.albertketelbey.org.uk/mp3/synth/Village chimes
for piano sync.mp3
http://www.albertketelbey.org.uk/mp3/synth/Valse Sentimentale for piano
sync.mp3
http://www.albertketelbey.org.
http://www.albertketelbey.org.uk/mp3/synth/Romance duetto for piano
sync.mp3
http://www.albertketelbey.org.uk/mp3/synth/Rivulet for
piano sync.mp3
http://www.albertketelbey.org.uk/mp3/synth/Pensiveness
for piano sync.mp3
- 2. Valse Sentimentale only
Medium |
Artists |
Label |
Matrix |
Format |
Country |
Date |
Locations |
Orchestra |
Empire Symphony Orchestra, ?Ketèlbey |
Rena (Columbia) 1201 |
? |
10” 78 |
UK |
[Nov 09] |
A Musical Jig-Saw: potpourri (selected and
arranged by “A.William
Aston”)
Ketèlbey’s recording was reviewed by Discus in The Musical
Times Vol.65 (January 1924) page 60 thus:
One light
orchestral record should be noted at this season - a Col.12-in. d.-s., A
Musical Jigsaw, wherein a few dozens of old friends are dovetailed with
amusing effect. The Company issues a
leaflet giving a list of the tunes maltreated, but gramophonists
who turn on the medley at a festive gathering will be well advised to keep the
list out of sight and let the hearers compete as to who can "spot"
the most. This record is both ingenious
and amusing. Few musicians will keep a
straight face when Tchaikovsky's Chanson Triste gradually fades into the
hymn-tune Now the day is over, and still less when they are launched
from Who killed Cock Robin? into the "Venusberg" section of
the Tannhäuser Overture.
Medium |
Artists |
Label |
Matrix |
Format |
Country |
Date |
Gramophone Review |
Locations |
Orchestra |
Court
Symphony Orchestra, Ketèlbey |
Columbia
948 |
AX
159, 160 |
12”
78, 2 sides |
UK |
[Dec
23] rec.Sept 23 |
BL |
|
Re-issue |
-
Naxos 8.110869 |
CD |
UK |
2003 |
BL,
NX, PD, TM |
|||
Orchestra |
Jenö Fesca Künstler
Kapelle |
Homocord 8228 |
M 51123, 51124 |
12” 78 2 sides |
Germany |
1923 |
|
|
|
Re-issue (Jenö
Fesca & his String Orchestra) |
-
Homochord HB 2058 |
|
12”
78, 2 sides |
UK |
|
1926 catalogue |
|
Military
band |
Band
of HM Coldstream Guards, Evans |
Cc 3936-2, 3937-1 |
12” 78, 2 sides |
UK |
[Feb
24] |
(TM
CD) |
||
? |
? |
Homochord D 1177 |
? |
10” 78 |
UK |
[Dec
27?] |
||
Orchestra |
Frank
Westfield's Orchestra |
Parlophone E 6052 |
W
1826, 1827 |
10”
78, 2 sides |
UK |
[May
28] |
Sept
28 p.159 |
|
Re-issue |
-
Pearl GEMM CD 9968 |
CD |
UK |
1992 |
BL, PD, TM |
|||
Orchestra |
Concert
Orchestra, C.D.Smart
(organ), Possetti |
Winner
4954 |
? |
10”
78 |
UK |
[1929] |
Dec
29 p.323 |
|
Orchestra |
Regal
Cinema (Marble Arch) Orchestra, Starkey |
Columbia
DX 105 |
WAX 5578-1, 5579-1 |
12”
78, 2 sides |
UK |
Oct
30 |
Oct
30 p.234 |
BL,
(TM CAS) |
Re-issue |
- Columbia Cinema Service YBX 23 |
WAXD 37 |
12” 33 |
UK |
[Mar 31] |
|||
Orchestra |
Gandino
(Mantovani) and his Orchestra |
Imperial
2562 |
5721A, 5722A |
10” 78, 2 sides |
UK |
[Nov
31] |
BL |
|
Orchestra |
Regal Salon Orchestra |
Regal MR 2428 |
? |
10” 78 |
UK |
[1937] |
June 37 p.24 |
Englund gives A.W. Leggett as
the conductor of Columbia 948, but both the label and Columbia catalogue have Ketelbey.
List of melodies quoted in each recording
Bar |
Title |
Composer |
Ketèlbey |
Evans |
Westfield |
Starkey |
1 |
[Introduction based on] Crown
diamonds - Overture |
Auber |
cut |
cut |
||
+ |
Martha - Overture |
Flotow |
cut |
cut |
||
8 |
Martha - Overture |
Flotow |
cut |
cut |
||
13 |
Crown diamonds - Overture |
Auber |
||||
21 |
William Tell - Overture |
Rossini |
||||
33 |
The Bohemian girl - Overture |
Balfe |
35-48 cut |
35-40 cut |
||
53 |
Yankee doodle |
anon, pub. 1782 |
||||
65 |
Upon Paul’s steeple (Chimes) |
anon |
cut |
cut |
||
71 |
Caller herrin’ |
Gow |
cut |
cut |
||
82 |
Souvenir |
Drdla |
cut |
cut |
||
92 |
Serenata, op.15 no.1 |
Moszkowski |
cut |
cut |
||
100 |
Bohemian girl - The heart bowed down |
Balfe |
cut |
cut |
cut |
|
104 |
Nocturne, op.9 no.2 |
Chopin |
cut |
cut |
cut |
cut |
107 |
When other lips |
Balfe |
cut |
cut |
cut |
cut |
110 |
Turkish patrol |
Michaelis |
||||
122 |
Hungarian rhapsody, G 359 no.2 |
Liszt |
||||
134 |
Turkish patrol |
Michaelis |
||||
144 |
Life on the ocean wave |
Russell |
||||
151 |
Rendez-vous |
Aletter |
157-164 cut |
|||
166 |
Martha - Overture |
Flotow |
||||
172 |
Prelude, op.3 no.2 |
Rachmaninoff |
||||
181 |
Tannhäuser - Overture |
Wagner |
||||
194 |
Oberon - Overture |
Weber |
||||
202 |
Come back to Erin |
Claribel |
cut |
|||
212 |
Lohengrin - Wedding march |
Wagner |
cut |
|||
side turn |
side turn |
|||||
218 |
Rienzi - Overture |
Wagner |
cut |
|||
side turn |
||||||
226 |
Album for the young, op.68 - The merry peasant |
Schumann |
cut |
|||
234 |
Träumerei, op.15 no.7 |
Schumann |
cut |
cut |
||
245 |
Swiss yodelling song |
anon |
cut |
cut |
||
255 |
La traviata - Brindisi |
Verdi |
cut |
261-270 cut |
cut |
|
side turn |
||||||
272 |
Martha - Overture |
Flotow |
cut |
cut |
cut |
|
277 |
Songs without words op.62 – Spring song |
Mendelssohn |
cut |
cut |
cut |
cut |
285 |
Annie Laurie |
Scott |
cut |
cut |
cut |
cut |
289 |
Believe me if all those endearing young charms |
anon, 1775 |
cut |
cut |
cut |
|
292 |
In a Persian market |
Ketèlbey |
292-307 cut |
292-307 cut |
cut |
|
322 |
Gott erlobe Franz den Kaiser (Austrian/German anthem) |
Haydn |
cut |
cut |
cut |
|
326 |
Sweet lavender (sung) |
anon |
cut |
cut |
||
329 |
Mistletoe bough |
Bishop |
cut |
cut |
cut |
|
334 |
Irish jig |
anon, 1792 |
342-345 cut |
cut |
cut |
|
346 |
Piano concerto |
Schumann |
|
cut |
cut |
cut |
353 |
Hearts and flowers |
Tobani |
|
cut |
cut |
|
370 |
Hungarian dance no.1 |
Brahms |
|
374-381 cut |
||
384 |
Jack's the lad (Sailors’ hornpipe) |
anon, pub.1796 |
cut |
cut |
||
394 |
There you are then (sung) |
Silbermann |
||||
396 |
Hungarian March |
Berlioz |
409-416 cut |
|||
417 |
Chanson triste, op.48 no.2 |
Tchaikovsky |
417-424 cut |
|||
427 |
Now the day is over |
Baring-Gould |
||||
434 |
Blue Danube |
Strauss |
435-453 cut |
cut |
||
+ |
Der Obersteiger - Don’t be cross |
Zeller |
cut |
|||
470 |
Who killed Cock Robin? |
anon |
||||
477 |
Tannhäuser – Venusberg music |
Wagner |
cut |
cut |
||
493 |
Faust - The calf of gold |
Gounod |
496-505 cut |
cut |
cut |
|
514 |
Raymond - Overture |
Thomas |
cut |
|||
526 |
1812 |
Tchaikovsky |
||||
TOTAL PLAYING
TIME |
8’ 36” |
(8” 23”+) |
6’ 27” |
8’ 35” |
The three phrases which should be sung by the orchestra are just
played in Ketèlbey’s recording, which can be heard at https://www.youtube.com/watch?v=-DmQo34jM4U&list=PLDdlSzGv6-khkghNzz8X259uHMY6IdPIr&index=32&t=0s
Westfield has the singing. His
tubular bells (which should be tacet for the last 19 bars) continue playing to
the end.
Starkey has no singing, but includes a harp in
his orchestra.
Evans includes the singing. A curiosity of the military band version is that although it begins and ends in the same key (Eb) as the orchestral version, the bulk of it (bars 49-476 in this recording) is transposed up by a semitone. My transcription is a further semitone sharp, so the total playing time should probably be at least 10 seconds longer.
My Heart A-Dream
The song was reviewed thus in Musical
Opinion vol.32 p.862 (Sept 1909):
“A tender
appealing love ditty is Albert W. Ketélbey's [sic] My
heart a-dream, the words of which issue from the graceful pen of Florence
Hoare.”
Medium |
Artists |
Label |
Matrix |
Format |
Country |
Date |
Gramophone Review |
Locations |
Song
with orchestra? |
Walter
Wheatley,?orchestra, ?Ketèlbey |
Columbia
1963 |
? |
10” 78 |
UK |
[Oct
12] |
||
Song
with piano |
Peter
Dempsey (t), Guy Rowland |
Dempsey
AWK 111 |
CD |
UK |
2009 |
BL,
PD, TM |
Dempsey’s CD can be heard at http://www.albertketelbey.org.uk/anniversary.html
My Heart Still Clings to You
Words
by Ketelbey.
“This
song was chosen by a large majority of the audience at a concert held at the
London Hippodrome on Novr. 23rd 1913 as the winning
song for male voices in the "Evening News" £200 prize
competition. It was sung by Mr Stewart Gardner.”
Medium |
Artists |
Label |
Matrix |
Format |
Country |
Date |
Gramophone Review |
Locations |
Song
with orchestra |
Edgar
Coyle (bt), orchestra, ?Ketèlbey |
Columbia
2331 |
28764 |
10” 78 |
UK |
[Feb
14] |
BL |
|
Re-issue |
-
Naxos 8.110870 |
CD |
UK |
2004 |
BL,
NX, PD, TM |
|||
Song
with orchestra |
Thorpe
Bates, orchestra, ?Ketèlbey |
Columbia
463 |
6401 |
12”
78 |
UK |
[June
14] |
||
Song
with orchestra |
Edgar
Coyle (bt), orchestra, Ketèlbey |
WA 3800-1 |
10” 78 |
UK |
rr Aug 26 |
BL, (TM CAS). (TM CD) |
Edgar Coyle recorded this song
twice, the second benefiting from electrical technology. For the Naxos transfer, the first recording
was played so that the same pitch (Ab major) was used as in the
second. However, the 1914 recording
sounds slow, with the average metronome marking being crotchet = 46, whereas
the 1925 is at 68. The earlier recording
omits the first refrain and second verse, the later one just omits the second
verse and final orchestral bars. Even as
late as 1926, the bass is provided by a tuba.
Hear the 1914 recording at https://music.youtube.com/watch?v=eq-VNBGWZ-g
Although this piece for piano, strings and glockenspiel was published in 1933, it may well have been the same piece as Beau Brocade, known only as a title assigned to Bosworth in 1923. A contemporary review in 1933 wrote
“A specialité piece for Pizzicato Strings and Celeste (or Piano), specially composed by Ketèlbey in response to many requests for a new Pizzicato number”.
Medium |
Artists |
Label |
Format |
Country |
Date |
Locations |
Pianola |
|
Themodist 30656 |
roll |
UK |
ca.1933 |
|
Piano |
Eric
Halstead |
private
recording |
www |
UK |
2003 |
(TM
CD) |
Synthesized |
Tom McCanna |
private recording |
mp3 |
UK |
2019 |
PD, TM |
Orchestra |
BBC Concert Orchestra, Ben
Dawson (celeste), Alasdair Molloy (glockenspiel), Yates |
Dutton Epoch CDLX 7407 |
CD |
UK |
2023 |
TM |
The
pianola roll can be heard played by Adam Ramet at https://www.youtube.com/watch?v=HRE33H9NNY8
Halstead’s
recording is available at http://www.tradebit.com/filedetail.php/3998219-collection-of-ketelbey-midi-files-zip
The realisation is based on the combination of celeste, glockenspiel and strings, and can be heard at http://www.albertketelbey.org.uk/mp3/synth/My lady brocade for orch sync.mp3
The sound balance in the Dutton recording is delicate, with the soloists blending well with the pizzicato strings.
My Star of Love
A song from 1949, presumably composed with Albert’s
second wife Mabel in mind.
Medium |
Artists |
Label |
Format |
Country |
Date |
Locations |
Synthesized |
Tom McCanna |
private recording |
mp3 |
UK |
2020 |
PD, TM |
The realisation is for piano solo, and can be
heard at http://www.albertketelbey.org.uk/mp3/synth/My star of
love for piano (online-audio-converter.com) sync.mp3
My Wish
A short carol written for the Ketelbey family Christmas card probably in 1889. An engraving shows an ensemble of flute,
oboe, viola, trombone, double bass, harp and two male singers, which forms the
basis for our realisation.
Medium |
Artists |
Label |
Format |
Country |
Date |
Locations |
Synthesized |
Tom McCanna |
private recording |
mp3 |
UK |
2020 |
PD, TM |
Hear this realisation at http://www.albertketelbey.org.uk/mp3/synth/My wish for
band sync.mp3
‘Neath Swinging Roses
Song with words by Florence Hoare, beginning
“In June, sweet June”. A song of that
name was due to be sung at a Trinity College of Music concert in July 1892,
though it appears it may not have been performed until December of that year,
sung by Miss Bertha Ackworth.
The song was later published as ‘Neath
Swinging Roses by Patey & Willis in 1897,
where the words must have been amended to be appropriate for a man singer. It was
“Dedicated to and sung by Mr Harry Fairleigh (Geo. Edwards "Geisha"
Co.).”
Sales cannot have been good,
as in 1902 the title was sold on to the publisher Dean for £6/3/6, and then in
1905 to Hammond for £4/-/9. That’s less
than 21 copies retailing at 4/- each.
My own copy is stamped by A.
Hammond, and also by Carter & Sons in Cape Town – a well-travelled piece of
music!
Medium |
Artists |
Label |
Format |
Country |
Date |
Locations |
Synthesized |
Tom McCanna |
private recording |
mp3 |
UK |
2020 |
PD, TM |
The realisation replaces the voice with
cello. http://www.albertketelbey.org.uk/mp3/synth/Neath swinging
roses for cello sync.mp3
New Moving Picture Book
This collection of piano
music, originally published in 1916 under the title New Moving Picture Music, contains 22 pieces by Ketèlbey. Most of these were incorporated into Bosworth’s Loose-Leaf Film Play Music Series,
best-sellers which provided the composer with a sizeable income.
Medium |
Artists |
Label |
Format |
Country |
Date |
Locations |
Synthesized |
Tom McCanna |
private recording |
mp3 |
UK |
2019 |
PD, TM |
This selection, listed below,
includes all the pieces which were not re-used in the Film Play Music Series, and also other passages which were omitted
from existing commercial recordings of that series. Click on the links to hear
the realisations.
- 1. Plaintive http://www.albertketelbey.org.uk/mp3/synth/NMPB1 Plantive sync.mp3
- 18. Triumphal March http://www.albertketelbey.org.uk/mp3/synth/NMPB18
Triumphal March sync.mp3
Night, by “Geoffrey Kaye”
This expressive orchestral
piece was published in 1922.
Medium |
Artists |
Label |
Format |
Country |
Date |
Locations |
Synthesized |
Stephen Berry |
private recording |
mp3 |
UK |
2016 |
PD, TM |
To hear this realisation,
click here http://www.albertketelbey.org.uk/mp3/synth/Night
orch synth.mp3
Nuit des étoiles: nocturne, by “Raoul Clifford”
One of several simple pieces
for mandolin dating from the late 1890s.
Medium |
Artists |
Label |
Format |
Country |
Date |
Locations |
Synthesizer |
Tom McCanna |
private recording |
mp3 |
UK |
2019 |
PD, TM |
The realisation adds tremolo to
the main rondo theme, and can be heard at http://www.albertketelbey.org.uk/mp3/synth/Nuit
des etoiles for mandolin sync.mp3
The Old Belfry = Victory Bells
At the end of the First World
War, Ketèlbey wrote a celebratory song, Victory Bells. Only one page of this has been discovered,
with the first verse beginning
Now the strife of battle is over
And the crash of war is done,
Soon our lads will come a-marching
From their …
The refrain was later
published as a separate intermezzo for piano, and then renamed and orchestrated
in 1923.
Medium |
Artists |
Label |
Format |
Country |
Date |
Locations |
Synthesized |
Tom McCanna |
private recording |
mp3 |
UK |
2019 |
PD, TM |
To hear this realisation of
the orchestral version, click here. http://www.albertketelbey.org.uk/mp3/synth/Old Belfry
for orch sync.mp3
Old ’96, by “Raoul Clifford”
A song for New Year 1897, published in the
magazine The Children’s Friend.
Medium |
Artists |
Label |
Format |
Country |
Date |
Locations |
Synthesized |
Tom McCanna |
private recording |
mp3 |
UK |
2020 |
TM |
The Old Ingle-Nook
Song from 1914. The music was reused in The Golden Wedding,
from the suite In a Lovers’ Garden. A contemporary review ran:
Albert W. Ketélbey combines with Edward
Oxenford in the production of a really inviting song called The Old
Ingle-Nook. Quite successfully, the composer
has here striven to provide the singer with something which will appeal to the
average concert-goer without in the least offending the susceptibilities of the
most exacting art patron. We are not surprised to learn that Madame Ada
Crossley has made the song her own.
The melodies were
re-used in The Golden Wedding in the suite In a Lovers' Garden.
Medium |
Artists |
Label |
Format |
Country |
Date |
Locations |
Synthesized |
Tom McCanna |
private recording |
mp3 |
UK |
2020 |
PD, TM |
The realisation replaces the contralto voice
with viola. http://www.albertketelbey.org.uk/mp3/synth/Old ingle nook
for viola sync.mp3
An Old-world Romance
An updated version (1940) of Adagio Cantabile, in a faster tempo,
with the addition of piano, tenor sax and vibraphone
Medium |
Artists |
Label |
Format |
Country |
Date |
Locations |
Synthesized |
Tom McCanna |
private recording |
mp3 |
UK |
2021 |
PD, TM |
Click to hear this
realisation. http://www.albertketelbey.org.uk/mp3/synth/old
world romance for orch.mp3
Olesia
= Polish Dance
Piano piece from 1897. It appears that the original title was Polish
Dance, and then Olesia was added to the
cover of some editions. A different Polish
Dance is included in Arpeggio-Melodies Book 3.
Medium |
Artists |
Label |
Format |
Country |
Date |
Locations |
Synthesized |
Tom McCanna |
private recording |
mp3 |
UK |
2019 |
PD, TM |
The realisation includes some details from a version for piano
duet, and can be heard at http://www.albertketelbey.org.uk/mp3/synth/Olesia
for piano sync.mp3
6 Original Pieces Without Octaves, op.9, by
“Anton Vodorinski”
Although the title suggests these are piano
teaching material for young players, several pieces in the collection had a
further life in other arrangements. As
teaching material, they frequently appeared on Trinity College of Music
syllabuses. Most pieces have easily
understood titles, but to save you reaching for the dictionary, Bluette means a trifle, or if you like,
bagatelle.
Medium |
Artists |
Label |
Format |
Country |
Date |
Locations |
Synthesized |
Tom McCanna |
private recording |
mp3 |
UK |
2019 |
PD, TM |
Click on the links to hear the realisations.
1. Canzonette. http://www.albertketelbey.org.uk/mp3/synth/Canzonette
op.9-1 for piano sync.mp3
2. Scherzette. http://www.albertketelbey.org.uk/mp3/synth/Scherzette for
piano sync.mp3
3. Bluette. http://www.albertketelbey.org.uk/mp3/synth/Bluette for
piano sync.mp3
4. Violette. http://www.albertketelbey.org.uk/mp3/synth/Violette for
piano sync.mp3
5. Valsette. http://www.albertketelbey.org.uk/mp3/synth/Valsette
for piano sync.mp3
6. Coquette.
http://www.albertketelbey.org.uk/mp3/synth/Coquette for
piano (online-audio-converter.com) sync.mp3
12 Original Voluntaries
These short unassuming pieces for “American
organ” (a kind of harmonium) had probably been conceived some years earlier
when the composer was organist at St John’s Church, Wimbledon. The collection
was not published until around 1903. Meditation
is a reworking of Introductory Voluntary.
Medium |
Artists |
Label |
Format |
Country |
Date |
Locations |
Synthesized |
Tom McCanna |
private recording |
mp3 |
UK |
2019 |
PD, TM |
To hear these realisations, click on the link.
1. Siciliana. http://www.albertketelbey.org.uk/mp3/synth/Siciliana
for harmonium sync.mp3
2. Andante Cantabile. http://www.albertketelbey.org.uk/mp3/synth/Andante
cantabile for harmonium sync.mp3
3. Canzonetta. http://www.albertketelbey.org.uk/mp3/synth/Canzonetta
(voluntary) for harmonium sync.mp3
4. Invocation. http://www.albertketelbey.org.uk/mp3/synth/Invocation for
harmonium sync.mp3
5 Small Fugue in 3 parts. http://www.albertketelbey.org.uk/mp3/synth/Small fugue
for wind sync.mp3
6. Mélodie Gracieuse. http://www.albertketelbey.org.uk/mp3/synth/Melodie gracieuse for
harmonium sync.mp3
7. Meditation. http://www.albertketelbey.org.uk/mp3/synth/Meditation for
harmonium sync.mp3
8. Chorale. http://www.albertketelbey.org.uk/mp3/synth/Chorale for
harmonium sync.mp3
9. Adagio Religioso. http://www.albertketelbey.org.uk/mp3/synth/Adagio
religioso for harmonium sync.mp3
10. Cathedral Echoes. http://www.albertketelbey.org.uk/mp3/synth/Cathedral
echoes for harmonium sync.mp3
11. Marche Solennelle.
http://www.albertketelbey.org.uk/mp3/synth/Marche solennelle for
harmonium sync.mp3
12. Prelude [in F
minor]. http://www.albertketelbey.org.uk/mp3/synth/Prelude
(voluntary) for harmonium sync.mp3
Small Fugue has been realised for a trio of oboe,
clarinet and bassoon.
Other Days
1899 song.
Medium |
Artists |
Label |
Format |
Country |
Date |
Locations |
Synthesized |
Tom McCanna |
private recording |
mp3 |
UK |
2020 |
PD, TM |
In the realisation, the voice is replaced by
violin. http://www.albertketelbey.org.uk/mp3/synth/Other
days for violin sync.mp3
webpage updated 12 May 2023